Page:Cyclopedia of painters and paintings (IA cyclopediaofpain03cham).pdf/409

 *seus and Andromeda, Cassel Gallery; Presentation of Mary, St. Sebastian, Crucifixion of St. Andrew, Dresden Museum; Marriage of St. Catherine, Triumph of David, Conversion of Saul, Madrid Museum; Pietà (3, one dated 1600), Nativity, Ecce Homo, Scourging of Christ, Old Pinakothek, Munich; Death of St. Sebastian, Schleissheim Gallery; Death of Abel, Daughter of Herodias, Pietà (3), The Dead Christ held by Angels, Immaculate Conception, St. John and the Angels of the Apocalypse, Truth and Justice, Vienna Museum; Madonna with Saints, Naples Museum.—Ch. Blanc, École vénitienne; Vasari, ed. Le Mon., xiii. 45; Burckhardt, 751.

PALMAROLI, Don VICENTE, born in Madrid in 1835. Genre and portrait painter, pupil of Madrazo and of San Fernando Academy, and in 1857 continued his studies in Rome. His style resembles partly that of Fortuny and partly that of Meissonier. Member of S. Fernando Academy, director of Spanish Academy in Rome since 1872. Medals: Paris, 2d class, 1867; Madrid, 1871. Works: October Festival (1862); S. Ildefonso; Sermon in Sistine Chapel (1866); Trasteverines in the Colonnade of St. Peter's; Burial of the Victims of May 3, 1808 (1871), City Hall, Madrid; The Widow's Tears; Lucky Accident (1883); Confession, Jealous Clown (1884); The Rising Tide, William Astor, New York; Petit Lever—La Bouchée du Cardinal, M. Graham, ib.; New Volume, W. Rockefeller, ib.; Girl Reading, R. G. Dun, ib.; Listener, Connoisseur, T. R. Butler, ib.; Souvenir of Granada, Colonel Bennett, ib.; Girl Reading, H. V. Newcombe, ib.; Convalescent, E. B. Warren, Philadelphia; Garden Scene, Hurlbut Collection, Cleveland; Pompeiian Woman's Toilet, Pretty Model, Sketching on the Sea-side, H. Dousman, St. Louis; Reverie, Beautiful Marchioness, S. A. Coale, ib.; Hiding Abelard, Charles Parsons, ib.—La Ilustracion, 1873; (1883), i. 122; (1884), i. 267, 378; Zeitschr. f. b. K., xix. 317.

PALME, AUGUSTIN, born at Rochlitz, Bohemia, in 1809. History painter, pupil of Prague Academy, then of Schnorr in Munich, whither he returned after having studied in Rome. Works: Exposure of Moses (1839); Conversion of St. Norbert; Establishment of St. Norbert's Order in Austria; St. Colman; The Virgin crushing the Serpent's Head. Fresco: Legend of the 14 Saints, Vierzehnheiligen, Franconia; Sketch for this in Bamberg Gallery.—Cotta's Kunstbl. (1848), 140; D. Kunstbl. (1850), 55, 114; Förster, v. 104; Wurzbach, xxi. 245.

PALMER, SAMUEL, born in Walworth, Surrey, in 1805, died in 1881. Water-colour painter and engraver, pupil of antique school of British Museum, and studied in Italy. Works: Evening Bell; Dream on the Appennines (1864); St. Paul landing in Italy (1868); Coliseum; Old Castle at Twilight; Fall of Empire (1871); Waterfall in Shadow; Golden City (1873); Sunday Evening in Old England.—Academy (1881), i. 420; Athenæum (1881), 728, 757; Varley, Memoir (London, 1882); Hamerton.

PALMER, WALTER L., born in Albany, N. Y.; contemporary. Landscape and still-life painter, son of the sculptor, Erastus D. Palmer; studied in Paris. Exhibits at National Academy and the Society of American Artists. Studio in Albany. Works: Interior, Montigny-sur-Loing (1878); Sir Frederick Leighton's Hall, T. B. Clarke, New York; Dining-Room at Appledale (1879); June, an Interlude (1880); Off the Public Gardens in Venice, Dudley Olcott; Dining-Room Interior (1882), Morris K. Jesup, New York; End of an October Day (1883); Upper Hudson, Studio Interior (1884).

PALMERUCCI, GUIDO, born at Gubbio, near Perugia, in 1280, died about 1345.