Page:Cyclopedia of painters and paintings (IA cyclopediaofpain03cham).pdf/400

 a Gentleman (1868); A Halt (1879); Autumn Races (1880); The Sold Lamb (1882); Emigrant (1883); Souvenir (1884); Birthday (1885); Women of Morocco, H. L. Dousman, St. Louis.

OUVRIÉ, PIERRE JUSTIN, born in Paris, May 9, 1806, died at Rouen, Oct. 21, 1879. Landscape, history, portrait, and genre painter, pupil of Abel de Pujol and Chatillon. Medals: 2d class, 1831; 1st class, 1843; 3d class, 1855; L. of Honour, 1854. Works: Funeral of Shelley (1831); Grand Canal at Venice, Hospital of St. Bernard (1833); Square of Old Palace in Florence (1834); St. Lawrence of Nuremberg, Light-House of Aigues-Mortes (1835); St. Peter of Genoa (1836); Cathedral of Chartres (1837); Heidelberg (1841); Court of Château of Fontainebleau (1842), Luxembourg Museum; Castle of Pau (1844); Eaux Bonnes (1845); Windsor Castle, Somerset House (1850); Amsterdam (1853), August Belmont, New York; The Hague, Views on Rhine (1857); Rotterdam (1859); Mont Blanc, Antwerp, Road from Ancona to Bologna, Moselle near Bern Castel (1861); Salzburg, Walter Scott's Monument, Calton Hill and Canongate in Edinburgh (1863); Castle of Amet, Castle of Villepinte (1864); Castle of Pierrefonds (1865); Town and Castle of Heidelberg, Cathedral of Freiburg in Breisgau (1866); Castle of Montorgueil; French Army marching on Mascara (1841), do. on Marengo, Taking of Ratisbon, 1809, Versailles Museum.—Bellier, ii. 187; Gaz. des B. Arts (1860), vi. 265; do. (1861), x. 30, 109.

OUWATER, ALBERT VAN, flourished in Haarlem, 15th century. Dutch school; history and landscape painter, was one of the first Dutch painters in oil, probably a contemporary of the Van Eycks. Nothing is known of his life. Works attributed to him: The Last Judgment, Dantzic Museum; Descent from the Cross (1480?), Cologne Museum.—C. & C., Flemish Painters, 246; Dohme, 1i.; Kramm, iv. 1238; Schnaase, viii. 215.

OVENS, JURIAEN, born in Amsterdam in 1623, died at Friedrichstadt, Schleswig, Dec. 7, 1678. Dutch school; history and portrait painter, pupil of Rembrandt about 1640. His pictures, mostly night pieces, are full of spirit, his portraits truthful and of masterly execution, though less warm in tone than Rembrandt's. In 1675 he was employed at the court of the Duke of Holstein. Works: Family of Ryklof van Goens (1650), Haarlem Museum; Conspiracy of Claudius Civilis, City Hall, Amsterdam; Regents'-Piece (1656), Male Portrait, Museum, ib.; Portraits, Hùysittenhuis, ib.; Male and Female Portrait, Rotterdam Museum; Departure of Tobias, Nantes Museum; Male Portrait (1666), Musical Lovers, Copenhagen Gallery; Taking of Christ, Bamberg Gallery; Head of Christ, Brunswick Museum; Girl with Chicken, Girl with Grapes, Harrach Gallery, Vienna.—Fernow (Riegel), Carstens, 44; Kramm, iv. 1240; Riegel, Beiträge, ii. 279; Vosmaer, Rembrandt, 161; Weilbach, 527.

OVER THE HILLS AND FAR AWAY, Sir John Everett Millais, Bart., Kay Knowles, Esq., England; canvas, H. 4 ft. 3 in. × 6 ft. 2 in. Landscape-view of Strath Tay, as seen from near Birnam, in Perthshire, with Ben-y-Gloe in the middle distance, the range of vision extending nearly to Dunkeld. Royal Academy, 1876; Exposition universelle, Paris, 1878 (Dans les montagnes d'Écosse).

OVERBECK, (JOHANN) FRIEDRICH, born at Lübeck, July 4, 1789, died in Rome, Nov. 12, 1869. History painter, pupil of Vienna Academy under Füger; but, at variance with its conventional routine, he was expelled in 1810, and, accompanied by Franz Pforr, Ludwig Vogel, and Hottinger, went