Page:Cyclopedia of painters and paintings (IA cyclopediaofpain03cham).pdf/40

 *doubt of Moskowa; Passage of the Lech in 1796; Cascade of Mt. Dore (1824); Battle of Walls; Passage of the Beresina (1827); Battle of Benouth, Campillo de las Arenas (1827), Versailles Museum; Battle of Navarino, Ministry of Marine; Convent of Mont-Serrat (1831); Battle of Sidi Feruch (1834); Taking of Château de Morée (1836), Battle of Castalla, Battle of Polotsk, Battle of Moskowa (1838), Battle of Smolensk, Interview at Navarino (1839), Battle of Montereau, Battle of Champeaubert (1840), Versailles Museum; Battle of Toulouse (1840); Battle of Polotsk (1838), Arras Museum; Battle of Krasnoë (1841); Battle of Naefels (1842); Battle of Hoff (1849), Versailles Museum; Battle of Wesen (1849); Passage of the Linth (1850); Ruins of Karnac; Capture of Smolensk; Battle of the Moskowa (1855). Also painted several panoramas, such as Battle of Navarino, View of Algiers, Battle of Moscow (1835); Burning of Moscow (1839); Battle of Eylau (1843); Battle of the Pyramids (1849); and Capture of the Malakoff (1858).—Bellier, i. 901; Larousse.

LANGLOIS, JÉRÔME MARTIN, born in Paris, March 11, 1779, died there, Dec. 8, 1838. History painter, pupil, assistant, and imitator of David; won the 2d prix de Rome in 1805 for his Death of Demosthenes, and the grand prix in 1809 for his Priam at the Feet of Achilles. Medals: 2d class, 1817; 1st class, 1819; L. of Honour, 1822; Member of Institute, 1838. Works: Abduction of Dejanira (1813), Angers Museum; Cassandra imploring the Vengeance of Minerva (1817), Diana and Endymion (1822), Louvre; Alexander yielding Campaspe to Apelles (1819), Toulouse Museum; Abbé Sicard teaching the Deaf-Mutes, Asylum for Deaf-Mutes, Paris; St. Hillary writing against the Arians (1822), Cathedral of Bordeaux; Portrait of Bishop Belsunce (1824), Marseilles Museum; Death of Hyrnetho (1827): Portraits of Marshals Bellegarde, Matignon, d'Estrées, Brézé, Versailles Museum.—Bellier, i. 900; Villot, Cat. Louvre; Larousse.

LANGLOIS DE CHÈVREVILLE, LUCIEN THÉOPHILE, born at Mortin (Manche) in 1803, died in Paris in 1845. History painter, pupil of Gros; painted few and generally large pictures of religious subjects. Opened a successful school of painting at Rouen after his return from Italy, and later became director of the Museum at Cherbourg, and professor of drawing in the College at Paris. Works: Apparition of the Virgin, Church of St. Patrick, Rouen; Boy with Melon, Berne Museum.

LANINI, BERNARDINO, born at Vercelli about 1510, died about 1578. Lombardo-Milanese school; pupil and good imitator of Gaudenzio Ferrari; painted chiefly in fresco. An altarpiece, dated 1539, in Church of Borgo-Sesia, is one of his best works. Other examples: Adoration of Magi, Cathedral of Novara; Concert of Angels, St. Martha, and others, Brera, Milan; Sacrifice to Pan, Academy, ib.; Holy Family, Descent from the Cross, Madonna Enthroned, Madonna (1564), Turin Gallery; Holy Family (1543), National Gallery, London.—Ch. Blanc, École milanaise; Lanzi, ii. 503; Lübke, Gesch. ital. Mal., ii. 476.

LANMAN, CHARLES, born at Monroe, Mich., June 14, 1819. Landscape painter, pupil of A. B. Durand; elected A.N.A. in 1842. Lives in Washington; life chiefly devoted to literature. Works: Seaside Sketches, Brookside and Homestead (1880); Morning Fog (1881); Home in the Woods (1881),	Corcoran Gallery, Washington; Salmon River in Canada, Upper Potomac (1882);	Other Days, Harvest Home (1883); Frontier Home (1884).

LANOUE, FÉLIX HIPPOLYTE, born in Versailles, Oct. 14, 1812, died at Ivry, Jan. 21, 1872. Landscape painter, pupil of V. Bertin, Horace Vernet, and of the École des Beaux Arts; won the 2d prix for landscape in 1837, the grand prix in 1841; went a second time to Italy, as also to Russia and Holland, and returned to Paris a landscape painter of the naturalistic school. Medals: 2d class, 1847, 1861; L. of Honour, 1864.