Page:Cyclopedia of painters and paintings (IA cyclopediaofpain03cham).pdf/377

 January (1879); Cape d'Antifer near Étretat, Old Oaks on Race-Course of Auteuil (1880); End of the Day (1881); Farm Corner, Oak in Winter (1882); Pond of Saint-Cucufa (1883); End of Day at Brenne, Pond of La Mer-Rouge, ib. (1884); Morning, Grain-Field (1885).

NUCCI, ALLEGRETTO. See Allegretto Nuzi.

NUÑEZ, JUAN, painted in Seville, beginning of 16th century. Spanish school; pupil of Sanchez de Castro. His best known work, The Virgin supporting the Dead Christ, with SS. Michael and Vincent Martyr at her side and an ecclesiastic kneeling beneath, is in the Cathedral at Seville.—Stirling, i. 96.

NUÑEZ DE VILLAVICENCIO. See Villavicencio.

NUVOLONE, CARLO FRANCESCO, born in Milan in 1608, died there in 1651. Lombardo-Milanese school; history and portrait painter, son and pupil of Panfilo Nuvolone; sometimes called Panfilo and confounded with his father. Afterwards studied under Giulio Cesare Procaccini, and followed his style, but later imitated Guido so successfully that he was named the Guido of Lombardy. The Brera has several of his works, and others are in the churches of Milan, notably St. Peter's Miracle at the Gate of the Temple, in S. Vittore. Nuvolone was selected to paint the portrait of the Queen of Spain on her visit to Milan in 1649. Other works: Rebekah at the Well, Bergamo Gallery; Assumption and Apostles, Annunciation (2), St. Martha slaying a Dragon (1636), Family of Panfilo Nuvolone, Academy, Milan; Chaste Susanna, Fondazione Pol-di-Pezzoli, ib.—Lanzi, ii. 529; Ch. Blanc, École milanaise; Lavice, 125, 148.

La Notte, Correggio, Dresden Gallery.

NUVOLONE, GIUSEPPE, born at Milan in 1619, died there in 1703. Milanese school; brother of preceding, with whose works his own form a striking contrast; reared in the same school, he exhibited a more fervid imagination, though without equal taste, and painted on a much larger scale, for the cities of Lombardy, for many churches in Brescia, and other cities in the states of Venice. Among his best works are his pictures in S. Domenico, Cremona; in particular his grand piece of St. Dominic raising a Dead Man. His portrait, painted by himself, is in the Milan Academy.—Lanzi (Roscoe), ii. 527.