Page:Cyclopedia of painters and paintings (IA cyclopediaofpain03cham).pdf/373

 NONO, LUIGI, born at Sacile, Italy; contemporary. Landscape and genre painter; studio in Venice. Medal, 1st class, Munich, 1883. Works: Autumn Morning; Hen-Coop; First Step; Festive Morning; Refugium Peccatorum (1882), Quirinal, Rome; Death of a Chicken, Deputy Mother (1883).—La Ilustracion (1883), i. 323, 340; Zeitschr. f. b. K., xix. 311.

NOOMS, REMIGIUS. See Zeeman.

NOORT, ADAM VAN, born in Antwerp in 1562, died there after Sept. in 1641. Flemish school; history painter, son of Lambert van Noort. Admitted to guild in 1587; its dean in 1598. Among his pupils were Rubens, Van Balen, and Jacques Jordaens, who married his daughter. He may be regarded as the founder of the great Antwerp school of the 17th century. Works: St. Peter presenting the Fish, St. Jacob's Church, Antwerp; Adoration of the Shepherds, St. Paul's, ib.; Entombment, Maagdenhuis, ib.; Jesus calling Children, Brussels Museum; Healing of the Lame, St. Michael's Church, Ghent; Christ with Martha and Mary, Lille Museum; Allegory, Brunswick Gallery; Woman taken in Adultery, Darmstadt Gallery.—Ch. Blanc, École flamande; Immerzeel, ii. 278; Kramm, iv. 1209; Michiels, vi. 344; Riegel, Beiträge, i. 42, 45; Rooses (Reber), 142; Van den Branden, 389.

NOORT, LAMBERT VAN, born at Amersfort in 1520 (?), died in 1570. Flemish school; master in Antwerp guild in 1549. Works: Nativity (1555), Last Supper (1558), Christ washing the Feet of the Apostles, Calvary, Burial of Christ, Resurrection, Sibyl of the Church of Christ (1565), and nine others, Antwerp Museum; Adoration of Shepherds (1568), Brussels Museum.—Immerzeel, ii. 278; Kramm, iv. 1210; Riegel, Beiträge, i. 27; Rooses (Reber), 141; Van den Branden, 389.

NORBLIN, (SÉBASTIEN LOUIS) GUILLAUME, born in Warsaw, of French parents, Feb. 24, 1796, died in Paris, Sept., 1884. History and genre painter, pupil of Vincent and Blondel. Won the grand prix de Rome in 1825. Medals: 2d class, 1833; 1st class, 1844; L. of Honour, 1859. Works: Antigone enshrouding Polynices (1825); Cyparissa Dying (1827); Death of Phalaris (1830); Bacchante Asleep (1833); Death of Ugolino (1833), Orléans Museum; Woman Bathing (1834); Vision of St. Luke (1836); St. Paul in Athens (1844); The Parcæ (1846); Martyrdom of St. Lawrence (1848); Rachel (1849); Beheading of St. John (1850);	St. Paul converting Lydia (1861); Xenocrates resisting the Seductions of Phryne, Golden Age (1863); Offering to Pan (1874); Destruction of Herculaneum (1876); Four Figure Studies, Douai Museum; Portrait of Sully, Versailles Museum.—Bellier, ii. 167; Larousse; Vapereau.

NORDENBERG, BENGT, born at Kompinkulla, Blekinge, April 22, 1822. Genre painter, pupil of Stockholm Academy, then (1851) of Düsseldorf Academy under Th. Hildebrandt; visited Dalecarlia in 1853, Paris in 1857-58, Italy in 1859, and settled in Düsseldorf in 1860. Works: Domestic Devotion of Peasants in Blekinge; Communion in Village Church (1856), Christiania Gallery; Mass Meeting, Scene from Lapland, Stockholm Museum; Saeter-Hut in Dalecarlia (1860); Organist in Swedish Village Church, Leipsic Museum; Wedding in Blekinge; Vaccination of Swedish Peasant Children; Young Neighbour; Paying Tithe (1862); Love Secret, Children at Communion (1865); Bridal Procession in Norway, Last Journey (1871); Wounded Bear-Hunter, Good Advice, Golden Wedding (1872); Flight from Burning Woods (1874); Sleighing in Dalecarlia, In the Bosom of the Family (1877); Hay-Harvest in Sweden, Return of Huntsmen (1878); The Twins, Mrs. Joseph Harrison, Philadelphia.—Illustr. Zeitg.