Page:Cyclopedia of painters and paintings (IA cyclopediaofpain03cham).pdf/364

 Villa Malta, Madonna, Scene from Hermann and Dorothea, Scene from Oberon, Schack Gallery, Munich; Uhland's Peasant Rules, Stettin Museum.—Allgem. d. Biog., xxiii. 552; Cotta's Kunstbl. (1839), 17, 74; (1842), 366; (1844), 212; (1847), 104; D. Kunstbl. (1854), 426; (1858), 89; Hagen, i. 411; Illustr. Zeitg. (1876), i. 336; Kugler, Kl. Schriften, iii. 18; Kunst-Chronik, xvii. 415; Müller, 391; Nagler, x. 207; do., Mon., ii. 634; Raczynski, ii. 272; Reber, ii. 95; Regnet, ii. 63; Söltl, 309; Zeitschr. f. b. K., iv. 7, 72.

NEUSTÄTTER, LOUIS, born in Munich in 1829. Genre and portrait painter, pupil of Munich Academy and of Bernhardt; in 1852 studied in Paris for a short time under Cogniet, then went to Rome and Naples; painted portraits in Vienna in 1854-64, and returned to Munich, where he has since produced a number of genre pictures. Works: Mourning Orphans; Young Widow; Reverie; Breakfast; Five Pictures from Children's Life; Visit to Foster-Parents; Getting Provisions; Burial of Canary Bird; Enticing (1883).—Müller, 392.

NEUVILLE, ALPHONSE (MARIE) DE, born at St. Omer (Pas-de-Calais), May 31, 1836, died in Paris, May 20,1885. Battle and genre painter, pupil of Picot; studied three years in École de Droit, Paris, but gave up law for art, and soon won a place among the fore-*most French military painters. Medals: 3d class, 1859; 2d class, 1861; L. of Honour, 1873; Officer, 1881. Works; The Gervais Battery, Attack on Malakoff (1859); Capture of Naples by Garibaldi (1860); Chasseurs of the Guard (1861); Attack in Streets of Magenta (1864), St. Omer Museum; Chasseurs Crossing the Tchernaia (1868), Lille Museum; Bivouac before Bourget (1872), Dijon Museum; Last Cartridges (1873); Attack by Fire on Barricaded House at Villersexel (1874); Surprise in Environs of Metz in 1870 (1875); Episode in Battle of Forbach in 1870 (1877); Defence of Le Bourget (1879), W. H. Vanderbilt, New York; The Adieu, J. J. Astor, ib.; In the Trenches (1874), Information (1876), Attack at Dawn, W. T. Walters, Baltimore; Episode in Battle of Gravelotte, Panorama of Battle of Champigny (with Detaille, 1881); Cemetery of St. Privat (1881), John G. Johnson, Philadelphia; Drummer, Forty-Second Highlanders in Egypt in 1882 (1882), H. C. Gibson, ib.; Soldier Drinking, Fletcher Harper, New York; Cavalryman and Two Horses, W. Rockefeller, ib.; Reconnoitring of General Ducis, C. S. Smith, ib.; Hauling by the Capstan, J. H. Stebbins, ib.; Reconnoitring, Daniel Catlin, St. Louis; Beleaguered, H. L. Dousman, ib.; On Guard, S. A. Coale, ib.; do., Charles Parson, ib.; Flag of Truce (1885, last work, unfinished).—L'Artiste (1885), i. 469; Athenæum (1880), i. 384; (1885), i. 669; Bellier, ii. 157; Claretie, Peintres (1874), 219, 329; Gaz. des B. Arts (1881), xxiv. 47; (1885), xxxii. 164; Kunst-Chronik, xv. 387; xvii. 3, 276, 385, 517; xix. 42; xx. 552; Mag. of Art (1885), 225; Montrosier, ii.; Rev. des Deux Mondes (1874), iii. 675; Richard, En Campagne par A. de N., Paris (1886).

NEVE, FRANS DE, born at Antwerp, June 11, 1606, died probably in 1681. Flemish school; history and portrait painter, formed himself almost exclusively after the works of Rubens and Van Dyck, and after-*wards in Rome after Ráphael and the antique. A Solomon's Judgment, by him, is in the Liechtenstein Gallery, Vienna.—Nagler, x. 213; Kramm, iv. 1194; Van den Branden, 906.

NEWELL, HUGH, born in Ireland, contemporary. Genre painter, pupil of Couture in Paris; studied also in Antwerp, and