Page:Cyclopedia of painters and paintings (IA cyclopediaofpain03cham).pdf/334

 Miracle of the Rose; Apparition of Madonna of Lourdes; Holy Family, Madonna before the Grotto, Lord Bute's Collection; Give us Barabbas; Infant Christ and St. Joseph, Virgin as Child (1882), St. Remigius Church, Bonn. In fresco: Scenes from Life of Mary, Adoration of the Lamb, Remagen.—Art Journal (1865), 133; Müller, 384; Kunst-Chronik, xviii. 309; La Ilustracion (1879), i. 211, 228; Wolfg. Müller, Düsseldf. K., 48; Zeitschr. f. b. K., 43.

MÜLLER, KARL (FRIEDRICH JOHANN VON), born in Stuttgart, Oct. 2, 1813, died in Frankfort, April 27, 1881. Genre painter, son of the engraver Johann Friedrich Müller; pupil of Johann Friedrich Dietrich, then of Munich Academy under Cornelius, of the Stuttgart Art School, and in 1833-37 in Paris of Ingres, whom he followed to Rome, whence he came to Frankfort in 1848; lived in Paris in 1850-67 and settled in Frankfort. Works: Choice of Hercules; Il Saltarello, Roman Carnival; Romeo and Juliet, Judgment of Paris, Stuttgart Museum; Diana and Endymion; Leda; Faust and Helena, Villa Rosenstein near Stuttgart; Venus in the Bath; Actæon's Punishment; Romeo's Farewell of Juliet.—Allgem. d. Biog. xxii. 647; Kaulen, 132; Kunst-Chronik, xvi. 534; Meyer, Conv. Lex., xviii. 655; Meyer, Gesch., 541.

MÜLLER, LEOPOLD, born in Dresden in 1834. Genre and landscape painter, pupil of Vienna Academy under Karl Blaas and Christian Ruben; painted at first historical subjects, and was for eight years illustrator for the Vienna Figaro. Visited repeatedly Italy and Egypt, and in 1877 became professor at Vienna Academy. Medal, 1st class, Munich, 1883. Works: At the Well; Botcher; Lute-Player (1874); Resting Caravan; Evening outside Cairo; Beach near Palermo; Priests in Convent Yard; Old Little Matron, Last Task of the Day, Vienna Museum; Chickens on Old Wall; Scene in Piazza di S. Marco, Venice; Market in Arabia (1879); At the Sebil, Fellahs with their Dromedaries Resting (1884); Oriental Market Scene, W. H. Vanderbilt, New York; Five Studies from Life in Egypt, W. T. Walters, Baltimore.—Kunst-Chronik, ix. 492, 555, 586; xvii. 108; xviii. 384; xix. 535; Neue Illustr. Zeitg. (1885), i. 23; Müller, 385; Wurzbach, xix. 394; Zeitschr. f. b. K., vi. 309; xii. 260; xx. 196.

MÜLLER, MORITZ, called Fire-Müller, born in Dresden, May 6, 1807, died in Munich, Nov. 8, 1865. Genre and history painter, pupil of Dresden Academy under Matthäi; went in 1828 to Zittau, where he painted portraits, and to Munich in 1830, where he at first executed altarpieces. Subsequently visited the Bavarian Alps, studied popular life, and painted truthful genre scenes, especially night views by torch or hearth light, whence his surname. Member of Dresden Academy in 1868. Works: Proposal; Return of the Bride; Pouting Lover (1843), National Gallery, Berlin; Scene in Tyrolese War (1834), Peasant Wedding (1852), New Pinakothek, Munich; Poor Woman with Suckling watching Revelry of Young Men, Provinzial Museum, Hanover; Mother and Two Children at Supper (1847), Leipsic Museum; Kirmess; Christmas Eve; Loving Couple by the Hearth; Old Woman going to Midnight Mass; Departure of the Tyrolese under Haspinger; Fighting Scene; Seizure of Andreas Hofer.—Allgem. d. Biog., xxii. 653; Dioskuren (1863), 177; Raczynski, ii. 374; Regnet, ii. 57.

MULLER, MORTEN, born at Holmestrand, Norway, Feb. 29, 1828. Landscape painter, pupil of Düsseldorf Academy, and of Gude and Tidemand; repeatedly visited the Norwegian coast, whence he took most of his subjects; settled at Düsseldorf in 1851, and returned to it, having lived at Christiania in 1866-73. Honorary member of Stockholm Academy, and court painter in 1875. Order of Vasa. Works: Pine Forest; Norwegian Glacier; View near Christiania Fjord (1855), Hardanger Fjord, Christiania Gallery; Winter Landscape, Stockholm Museum; Woodland in Norway (1859), Ghent Museum; Pine Forest in Norway