Page:Cyclopedia of painters and paintings (IA cyclopediaofpain03cham).pdf/317

 vénitienne; Vasari, ed. Le Mon., xi. 263; vi. 107; Burckhardt, 735; Lübke, Gesch. ital. Mal., ii. 612; Zeitschr. f. b. K, xiii. 256.

MORGAN, FREDERICK, born in England; contemporary. Genre painter, exhibits at Royal Academy and Grosvenor Gallery. Works: Summer Holiday, Parting Shot, School Belles (1877); Motherless, Midday Rest (1879); Nature's Mirror, Not of the Fold (1881); Summer Storm, Merry as the Day is Long (1882); Little Nell and her Grandfather, Cherry Earrings (1883); Never Mind! Besieged, May (1884); Ring a Ring of Roses (1885); There's Room for Two (1886).

MORGAN, WILLIAM, born in London in 1826. Genre painter, pupil of the National Academy schools in New York, where his professional life has been spent. An Associate of the National Academy. Works: Emancipation (1868), Olyphant Collection; Legend (1875), Governor Fairbanks, Vermont; Song without Words (1876); Young Mother (1879); Dolce far Niente (1880); Minor Chords (1881); Hay-Loft, Breakfast (1882); The Eviction, Summer (1883); An Impromptu, Sortie, Knitting-Lesson (1884); Andante (1885); Loves me—Loves me Not, Blowing Bubbles (1886).

MORGENSTERN, CHRISTIAN ERNST BERNHARD, born in Hamburg, Sept. 29, 1805, died in Munich, Feb. 27, 1867. Landscape painter, son of the miniature painter, Johann Heinrich Morgenstern; from 1824 pupil of Bendixen in Hamburg, after having, in the service of the panorama painter Suhr, travelled extensively in Germany, Denmark, and Russia; visited Norway in 1827, and the year following studied at Copenhagen Academy and on Swedish coast; went to Munich in 1829, and visited, in the following years, many parts of Germany, and in 1841 Upper Italy. He was one of the foremost artists in Munich. Honorary member of Munich Academy, 1842. Order of Michael. Works: Old Oaks in Swamp (1826), Mountain Path (1828), Hamburg Art Union; Lüneburg Heath (1830), Storm on Coast of Helgoland, Stranded Wreck by Moonlight (1854), Moonrise on Chiem Lake (1865), Hills near Pöcking on Starnberg Lake, Coast of Helgoland (1866), Munich Art Union; Moonrise near Sea-Shore, Städel Gallery, Frankfort; Mill in Alsace (1836), Quarries on the Peissenberg, Kunsthalle, Hamburg; April Day on Lake Starnberg, Leipsic Museum; View on the Elbe by Moonlight, Stuttgart Museum; Moonrise near Venice (1849), Städel Gallery, Frankfort; Heath on the Ammer, Provinzial Museum, Hanover; View in Ammer Valley (1854), Carlsruhe Gallery; Ravine near Dachau (1857), Breslau Gallery; do. and Group of Ash-Trees (1858), Vienna Museum; Isar Valley (1859), Darmstadt Museum; Woodland near Starnberg (1862), Prague Art Union; East Coast of Helgoland (1863), Schack Gallery, Munich; Heath of St. Hypolite in Alsace (1849), Storm at Sea (1839), New Pinakothek, ib.—Andresen, ii. 221; Dioskuren (1860), 257; Illustr. Zeitg. (1867); Kunst-Chronik, ii. 80; Reber, ii. 287; Regnet, ii. 40; Zeitschr. f. b. K., vii. 128; xiv. 353.

MORGENSTERN, JOHANN LUDWIG ERNST, born at Rudolstadt, Sept. 22, 1738, died in Frankfort, Nov. 13, 1819. Architecture and landscape painter, studied at the Academy of Salzdalen in 1766, and after having worked under Schütz in Frankfort in 1770, and in Darmstadt in 1771-72, entered Nothnagel's studio in Frankfort. His architectural paintings are cold in effect, but good in perspective, clear in colour, and carefully executed. Works: Gothic Church Interiors (3, 1805, 1812), Darmstadt Museum; do. (2, one dated 1789), Gotha Museum; Church Interior, Stuttgart Museum; Gothic and Renaissance Church Interiors (2, 1792, 1793), Peasant Farm, Städel Gallery, Frankfort.—Kugler (Crowe), ii. 568.