Page:Cyclopedia of painters and paintings (IA cyclopediaofpain03cham).pdf/313

 Boston; Hawk's Nest, Moonlight in New York Bay, Winning Yacht, Minot's Ledge Light, Coming Storm over New York Bay (1876); Homeward (1879), H. A. Hurlbut; Queen Shrimper of Boulogne (1880); Return of the Fleet (1881); Foggy Morning—English Channel, T. B. Clarke, New York; Brush-Burning—Long Island (1882); Shrimping on Normandy Coast, Cockle Gathering—South Coast of England (1883); The Sea, Greenport Dock Saturday Afternoon, Crab Catching—Greenport, L. I. (1884); Fishing Boats in Irish Channel, The Departure, Waiting for Dad (1885); Digging for Bait, Coming in from the Fish Pond (1886).—Benjamin, 103; Sheldon, 198.

MORAN, LEON, born in Philadelphia, Pa., in 1863. Marine painter, son of Thomas Moran, pupil of his uncle, Edward Moran, and of the National Academy. Studio in New York. Works: Borders of the Marne (1881); Feeding the Fowls (1882); Eel-Fishing—Twilight, T. B. Clarke, New York; Mountebanks (1883); Duel, Amateur, Out-*post (1884); Waylaid (1885); Interrupted Conspiracy (1886).

MORAN, PERCY, born in Philadelphia, Pa., in 1862. Genre painter, brother of the preceding; pupil of his uncle, Edward Moran, of the Pennsylvania Academy, Philadelphia, and of the National Academy, New York. Studio in New York. Works: Great Expectations, Sunshine and Shadows (1881); Good Friends, Old-Time Melody (1882), T. B. Clarke, New York; Woods in Winter, Maidenhood (1883); Coquette (1884); Coming from Church in Old New York (1885); Divided Attention, I am Ready (1886).

MORAN, PETER, born in Bolton, England, March 4, 1842. Landscape and animal painter and etcher, pupil of his brothers Thomas and Edward. Studied and sketched in England in 1863. Member of the Pennsylvania Academy of Fine Arts. Received a medal in Philadelphia, 1876, for fine etchings of animals. Studio in Philadelphia. Works: Rainy Day, Sunny Slope (1875); Return of the Herd (1876); Stream through the Meadow, Country Smithy, Near the Sea (1880); Corral—New Mexico, Pasture Land, Going to the Hunt (1881); Snake Dance at Walpé, Harvesters—San Juan, N. M. (1882); Down the Arroya to Santa Fé (1883); Scout on the Teton Basin (1884); Noonday, On the Downs, The Stable Door (1886).—Am. Art Rev. (1880), 149; Art Journal (1879), 26.

MORAN, THOMAS, born in Bolton, England, Jan. 12, 1837. Landscape painter, pupil of his brother, Edward Moran. Came to America in 1844. In 1862 and 1868 studied and painted in England, and visited France and Italy. Accompanied a Government expedition to the Yellowstone National Park in 1871; later made sketching tours in the Western Territories and in Mexico. Elected an A.N.A. in 1882; N.A., 1884. Member of Society of American Artists and of Pennsylvania Academy of Fine Arts. Studio in New York. Works in oil: Flight into Egypt (1860); Ripening of the Leaf (1864); Grand Cañon of the Yellowstone (1872, Government order); Chasm of the Colorado (Capitol at Washington), Mountain of the Holy Cross (1874); Dream of the Orient (1876); Ponce de Leon—Florida (1877); Woodland Reflections (1879); Arkansas Diredo—Rock Mountain (1880);	Green River—Wyoming County, Pa. (1881); San Juan Abajo—Vera Cruz (1882); On the Stour in Hampshire—Eng-*ton Wilson), Market Days in San Juan Abajo—Mexico (1884); Abandoning Water-Logged Vessels, Long Island Landscape, Fingal's Cave, Morning at Vera Cruz (1885). Water colours: Havana—Cuba, Tower of Cortez in Mexico, Castle of San Juan d'Ulloa at Vera Cruz (1884).—Am. Art Rev. (1880), 151.

MORANDO, PAOLO, born in 1486, died in 1522. Venetian school; commonly called Cavazzola. He was the pupil of Domenico,