Page:Cyclopedia of painters and paintings (IA cyclopediaofpain03cham).pdf/310

 *ble Châtillon (1835), of Marshals Xaintrailles (1834), Gyé, Trivulce (1835), Lavardin. Noailles, Dampierre, three others, Versailles Museum.—Bellier, ii. 117; Larousse; Meyer, Gesch., 277.

MOONEY, EDWARD, born in New York in 1813. Portrait painter, pupil of the National Academy, Inman, and William Page. Professional life passed in New York, with the exception of four winters in Columbus, Ga., and Savannah. Gold medal from National Academy, when a pupil there. Elected an A.N.A. in 1834, and N.A. in 1840. Portraits: Ex-Mayors Andrew Mickle, Jacob R. Westervelt, Isaac L. Varian, City Hall, New York; Achmet Ben Aman (1840), Common Council, ib.; Judge Edmunds (New York Bar); Governor Seward, State House, Albany.

MOOR, KAREL DE, the elder, born in Leyden, Feb. 22, 1656, died at Warmond, Feb. 16, 1738. Dutch school; history, genre, and portrait painter, pupil of Gerard Dou, Abraham van den Tempel, Frans van Mieris, and Godfried Schalcken, whose realistic tendencies he followed. He treated both sacred and profane history, but excelled in life-size portraits, resembling in animation and mastery those of Abraham van den Tempel. Created chevalier by the Emperor of Austria for his portraits of Prince Eugene and the Duke of Marlborough. Works: Dutch Family, Louvre; Young Lady with Bouquet, Antwerp Museum; Portraits of Trustees, Leprosenhuys, Amsterdam; Flight into Egypt, Offering, Rotterdam Museum; Brutus sentencing his Sons, Town Hall, Leyden; Portrait Group, Museum, ib.; Joseph interpreting Dreams, Aschaffenburg Gallery; Lady as Fishmonger, Carlsruhe Gallery; Hermit, Dresden Gallery; do. (1730), and Ecce Homo, Hermitage, St. Petersburg; Man with White Beard, Stuttgart Museum; Male Portrait (1597), Liechtenstein Gallery, Vienna; Pyramus and Thisbe (1710), Turin Museum.—Cat. du Mus. d'Anvers (1874), 112; Immerzeel, ii. 238; Kugler (Crowe), ii. 541; Kramm, iv. 1148; Ch. Blanc, École hollandaise; Riegel, Beiträge, ii. 26.

MOORE, ALBERT, born in York, England in 1840. Figure painter, son and pupil of William Moore, portrait painter, of the school in York, and (1858) of the Royal Academy, London. Works: Wayside Weeds (1858); Four Seasons (1864); Marble Seat, Elijah's Sacrifice (1865); Apricots, Pomegranates (1866); Quartette (1869); Shells (1874); Pansies (1875); The Reader (1877); Gannets (1879); Jasmine Sprigs, Rose Leaves (1880); Blossoms, Forget-Me-Nots (1881); Dreamers, Acacias (1882); Reading Aloud (1884).—Academy (1886), i. 404; Art Journal (1881), 162; Athenæum (1886), i. 623; Portfolio (1870), 4; Temple Bar (1877), 342; Gaz. des B. Arts, xxix. 531; Mag. of Art (1885), 192.

MOORE, HENRY, born in York, England, in 1831. Landscape and marine painter, brother of the preceding, pupil of his father, of the local school, and in 1853 of the Royal Academy, London, where his first work, Glen Clunie—Braemar, was exhibited in the same year. Elected A.R.A. in 1885. Works: Haymaking in Switzerland (1857);