Page:Cyclopedia of painters and paintings (IA cyclopediaofpain03cham).pdf/286

 *iature, of which the most remarkable are those in the compositions of Orlando di Lasso and Ciprian de Rore, in the Court and State Library at Munich. Other works: Altarpiece with Scenes in Life of Christ and Mary (1572), Frauenkirche, Ingolstadt; Christ on Mount of Olives, and Entombment, Last Judgment (copy after Michelangelo), Frauenkirche, Munich; Male Portrait (1540), Female do. (1542), Old Pinakothek, ib.; Portrait of himself, National Museum, ib.; Male do. (1540), Museum, Vienna; do. (1543), Liechtenstein Gallery, ib.; Duke Albrecht V. the Magnanimous (1545), Philip the Warlike (?), Schleissheim Gallery.—Nagler, ix. 260; Sighart, 707; D. Kunstbl. (1853), 413; Kunst-Chronik, xx. 715; Zimmermann, Hans Müelich und Herzog Albrecht V. von Bayern (Munich, 1885).

MIEREVELT, MICHIEL JANSZEN VAN, born at Delft, May 1, 1567, died there, July 27, 1641. Dutch school; portrait painter, pupil of Willem Willemsz and of Augustyn, then at Utrecht of Blockland; entered the guild of The Hague in 1625; painted also mythological subjects. Charles I. invited him to England to paint his portrait. Archduke Albrecht gave him a pension. Works: Portraits of William of Orange (2), Princes Philip William and Maurice (1617) of Nassau, Louise de Coligny and two other Princes of House of Orange, Hague Museum; William of Orange, Princes Philip William, Maurice, and Frederick Henry of Orange, Johan van Oldenbarnevelt, Jacob Cats (2, 1634, 1639), Elector Palatine Frederick V., Captain Smeltzing, Amsterdam Museum; Female Portrait (1634), Haarlem Museum; Prince Maurice, Johan van Oldenbarnevelt (1617), Lady's Portrait (1630), Rotterdam Museum; Count and Countess of Nassau, Male Portrait (1627), Female do. (1629), Brunswick Museum; Merry Company in Open Air, Portrait of Johan van Oldenbarnevelt (1617), Gotha Museum; Portraits of Elector Palatine Frederick V. and his Consort Elizabeth Stuart (1626), Hanover Gallery; Portrait of the Engraver Delff (1638), two others, Schwerin Gallery; Portraits in the Louvre, Paris (3, two dated 1617, 1634), in Museums of Le Puy (2), Lyons (2, 1625, 1631), Berne, Geneva, Berlin (2, 1624, 1632), Darmstadt (3, one dated 1630), Dresden (6), Madrid, Naples, New York, Nuremberg, Stuttgart (2), Vienna; Galleries of Aschaffenburg, Carlsruhe (1626), Christiania, Copenhagen (5, four dated 1621, 1635, 1638), Oldenburg (2, one dated 1641), Old Pinakothek, Munich (2, one dated 1635), Hermitage, St. Petersburg (4), Czernin and Liechtenstein (1608) Galleries, Vienna; Academy, Venice; Uffizi, Florence; several in Town Hall, Delft.—Allgem. d. Biogr., xxi. 713; Ch. Blanc, École hollandaise; Descamps, i. 256; Gaz. des B. Arts (1878), xvii. 78, 265; Havard, A. & A. holl., i. 11; Immerzeel, ii. 225; Kramm, iv. 1120; Kugler (Crowe), i. 256; Kunst-Chronik, xxi. 114; Nagler, Mon., iii. 1077; Riegel, Beiträge, i. 124; ii. 193; De Stuers, 78.

MIEREVELT, PIETER VAN, born in Delft, Oct. 5, 1595, died there, Jan. 11, 1623. Dutch school; portrait painter, son and pupil of Michiel van Mierevelt, whom he successfully imitated. Works: Three Portraits, Dresden Gallery; Husband and Wife (1622), Copenhagen Gallery; Family Group, Brunswick Gallery; Lecture on Anatomy (1617), Hospital, Delft.—Kugler