Page:Cyclopedia of painters and paintings (IA cyclopediaofpain03cham).pdf/225

 and evidently took Karel Dujardin, Berchem, Potter, and Wouwerman, for his models. Medal, 1st class, 1806, 1819; L. of Honour, 1828. Works: Road with Diligence, Fair at the Door of an Inn, Starting for a Wedding in a Village, Louvre; Halt of Travellers, Bordeaux Museum; View on Sea-Shore, Cherbourg Museum; Education of Bacchus, Canal with Vessels, Return from Market, Farm, Landscape, Montpellier Museum; Fruit Stall in Open Air, Orléans Museum; Italian Landscape, Amsterdam Museum; Dedication Day, Brussels Museum; Street on Canal at Rotterdam, Schleissheim Gallery; Landscapes with Figures and Animals (2), Cattle Fairs (2), Travellers before Inn, Hermitage, St. Petersburg; Landscape with Figures (2), Turin Gallery; Sea View; Village Fair; Cattle Market; Procession on Road; Woman Mountebank; Interior of Guard Room; Country Schoolmaster; Death of Turenne; Crossing the Ford; Priest's Reprimand.—Bellier, i. 403; Ch. Blanc, École française; Cat. Louvre; Jal, 838; Lejeune, Guide, i. 428; Michiels, x. 567.

MARNEFFE, FRANÇOIS DE, born at Brussels, died there in 1877. Landscape and genre painter; marks a new departure in modern landscape painting in Belgium. Works: Huntsmen surprised by Rain (1832); Donna Antonia of Portugal singing to Charles II. of Spain (1831); Mill at St. Lambert—Woluwe (1832); View in Forest of Soigne with Chase (1834); View near Brussels, View on Royal Estate (1835); Charles II. of England in Forest of Boscobel, Landscape with Waterfall (1836); Wood-Interior (1837); View in Black Forest (1839).—Immerzeel, ii. 204; Journal des B. Arts (1860), 150; Raczynski, iii. 467.

MARQUEZ, ESTÉBAN, born at Estremadura about 1655, died in Seville in 1720. Spanish school. Pupil of his uncle Fernando Marquez Joya (died 1672?), who was of the school of Murillo; became so expert as a copyist and imitator of Murillo that his pictures have been sold as originals by that master. Works: St. Joseph and Infant Jesus, St. Augustine with the Madonna, St. Augustine with Infant Jesus, Seville Museum; St. Joseph and Infant Jesus, Cadiz Cathedral.—Curtis, 339.

MARON, ANTON VON, born in Vienna in 1733, died in Rome in 1808. History and portrait painter, pupil of Vienna Academy; said to have gone early to Rome, but if so, was in Vienna again in 1768, when he painted the portrait of Winckelmann, and also took active part in the reorganization of the Academy. In 1772 he was ennobled; went in 1773 to Rome, where he married the sister of Raphael Mengs, and was secretary, and afterwards professor, at the Academy of St. Luke. Works: Portraits of Maria Theresa and Joseph II. (1775), Vienna Museum; Family of Leopold of Tuscany, Summer Palace at Schönbrunn, Portrait of Winckelmann (1768), Weimar Museum.—Allgem. d. Biogr., xx. 403; Wurzbach, xvii. 5.

MAROT, FRANÇOIS, born in Paris in 1666, died there, Dec. 3, 1719. French school; history and portrait painter, pupil of La Fosse; received into the Academy in 1702, adjunct professor in 1705, professor in 1715. Works: Fruits of Peace (1702), Tours Museum; Christ leaving the Disciples at Emmaus, Hagar and Ishmael in the Desert, Venus engaging Vulcan to forge Arms for Æneas (1704); Slumber of Morpheus, Louvre, Paris.

MARR, JOSEF (HEINRICH LUDWIG), born in Hamburg in 1809, died in Munich Oct. 29, 1871. Genre painter, pupil of Suhr and in Altona of Rosenberg, then studied at Copenhagen and (1825) Munich Academies; visited Italy and settled in Munich. Works: Return from Cattle Fair; Tavern Scene in Bavarian Alps; Wild Bull, Suabian Girl; Caretta Drive; Postilion Astray; Hostess in the Snow; Horse-Market in Tyrol, Carlsruhe Gallery; Monk on Donkey (1844), New Pinakothek, Munich; Return from Kirmess, Episode in War of 1813 (1885).—Kunst-Chronik, vii. 152; Kunst für Alle, i. 25; Nagler, Mon., iii. 493.