Page:Cyclopedia of painters and paintings (IA cyclopediaofpain03cham).pdf/216



are in Madrid and Valencia; a great Battle Scene by him (1660) is in the Schwerin Gallery. Works: Portrait of J. B. del Mazo, Passing the Red Sea, and six other pictures, Madrid Museum. His son and scholar, Miguel (1643-70), who studied in Italy, painted similar pictures, but with less success.—Ch. Blanc, École espagnole; Madrazo, 438; Stirling, i. 756.

MARCH TO FINCHLEY. See Finchley.

MARCH TO PARIS IN 1814, Feodor Dietz, National Gallery, Berlin; canvas, H. 11. ft. 6 in. × 13 ft. 10 in.; signed, dated 1868. Having defeated Napoleon at La Rothière on February 1, 1814, Marshal Blücher, authorized by the war-council of the allied monarchs, began the advance towards Châlons on February 2d. The picture shows the aged general, with two adjutants on horseback, at the head of a young Prussian Landwehr-Regiment, who shout enthusiastically as he points to the road to Paris; in the middle, to right, cavalry advancing across the wintry battle-field.

MARCHAL, CHARLES FRANÇOIS, born in Paris, April 10, 1825, died there, March 31, 1877. Genre painter, pupil of Drölling and Dubois. Improved and prospered until 1876, when he lost his eyesight, and in despair committed suicide. Medals: 1864, 1866, and 1873. His Alsace has been often engraved and lithographed. Works: Misunderstanding (1852); Van Dyck in Rubens' Studio (1853); Return from Masked Ball (1855); Mother's Festival (1857); Chilly, Last Kiss (1859); Interior of an Alsatian Tavern (1861); Luther's Horse (1863); Servant Market (1864), formerly in Luxembourg Museum; Spring Time (1866); Katarina (1867); Penelope (1868), H. Probasco, Cincinnati; Phryne (1868); Secret (1870); Alsace (1872); Morning in Alsace, Evening ib. (1875), Miss C. L. Wolfe, New York; Booty (1875); First Step (1876).—L'Art (1877), ix. 48; Claretie, Peintres (1874), 233; Meyer, Gesch., 703; Meyer, Conv. Lex., xvii. 569.

MARCHESI, GIROLAMO. See Girolamo da Cotignola.

MARCKE, ÉMILE VAN, born at Sèvres, August 20, 1827. Landscape and animal painter, pupil of Troyon. Medals: 1867, 1869, and 1870; 1st class, 1878; L. of Honour, 1872. Works: Pastures by the Sea, Pastures in the Woods (1868); Plain, Forest (1874); Bridge on the Brèsles, River Morte at Tréport, Village Pasture (1875); Cliff (1876); Spring at Neslette (1877), Mr. Brown, Philadelphia; Grass at Soreng (1879); Meadows of Bourbel (1880); Sluice, Study (1881); Swiss Cow, Norman Cow (1882); Vache blanche, Samuel F. Barger, New York; In the Landes, Wm. Astor, ib.; Cows in a Pool, Cattle, W. H. Vanderbilt, ib.; Cows Drinking, Spring Time, Cattle Reposing, Cows in a Pool, On the Cliffs, Going to Pasture, Mill Farm, formerly in Mrs. Morgan's Collection, ib.; Study from Nature, Early in the Morning, Cow, The Pool, Misty Morning, Approaching Storm (1873), W. T. Walters, Baltimore.—Bellier, ii. 629; Meyer, Gesch., 760.

MARCO D'OGGIONE (Uggione, Uglone), born in Oggione, near Milan, about 1470-80, died about 1530-40. Lombard school; pupil of Leonardo da Vinci. Executed careful copies of his master's pictures, especially of his fresco of the Last Supper, one of which is in the Royal Academy, London, a second in the Brera, Milan, and a third (small) in the Hermitage, St. Petersburg. Oggione painted frescos, also, in S. M. della Pace, Milan, now in the Brera. In the Louvre are a Holy Family, and the Madonna of the Scales, attributed to him.—Lanzi, ii. 490; Vasari, ed. Le Mon., vii. 39, 44; ed. Mil., iv. 52; Ch. Blanc, École milanaise; Burckhardt, 628, 707; Lübke, Gesch. ital. Mal., ii. 45; W. & W., ii. 562.

MARCONI, ROCCO, native of Treviso, end of 15th and beginning of 16th century. Venetian school; Ridolfi calls him a pupil, and Burckhardt a follower, of Palma Vec