Page:Cyclopedia of painters and paintings (IA cyclopediaofpain03cham).pdf/211

 probably a companion of Raphael. Among his youthful works are a Madonna, ascribed to Raphael, Fitzwilliam Museum, Cambridge (C. & C.), and a Saviour in Glory between the Virgin and Evangelist, Perugia Academy. Frescos by him are in various churches in Perugia. In the Louvre is a Madonna enthroned with Saints, ascribed to l'Ingegno, which shows a mixture of Perugino, Pinturicchio, and Raphael; in the National Gallery, London, is an Annunciation.—C. & C., Italy, iii. 334; Ch. Blanc, École ombrienne; Vasari, ed. Mil., iii. 596.

Fall of Manna, Nicolas Poussin, Louvre, Paris.

MANNLICH, JOHANN CHRISTIAN VON, born in Strasburg, Oct. 4, 1740, died in Munich, Jan. 3, 1822. History painter, son and pupil of Konrad Mannlich (1701-59, court-painter at Zweibrücken), and studied in Mannheim under Zinzenich and Verschaffelt; went to Paris in 1763 with his patron, Duke Christian IV. of Zweibrücken, and studied under François Boucher; having returned to Mannheim in 1764, he accompanied the duke to Paris again in 1776, then was in Rome in 1767-71 as pensioner of the French Academy; became in 1772 court-painter and director of the newly erected Art School at Zweibrücken, and was called to Munich by the Elector Maximilian, in 1799, as director of all art collections in Bavaria. Works: Artist's wife as Magdalen, Scenes from Operas (4, one dated 1772), Male portraits (2), Schleissheim Gallery; Baptism of Christ; Jupiter and Leda; Madonna; Two pictures of Christ.—Allgem. d. Biogr., xx. 207; Cotta's Kunstbl. (1822), 165.

MANNOZZI, GIOVANNI, born at San Giovanni in 1590, died in Florence, Dec. 9, 1636. Florentine school; sometimes called Giovanni da San Giovanni; pupil of Matteo Rosselli, whose finished style was not suited to the capricious imagination and facile execution of his pupil. Though he often fell into absurd