Page:Cyclopedia of painters and paintings (IA cyclopediaofpain03cham).pdf/115

 at Gastein, where his pictures of the surrounding scenery were eagerly sought. Visited Hamburg in 1849.—Allgem. d. Biogr., xix. 136; Allgem. Zeitg., May 2, 1876; Hamburger, K. Lex. (1854), 152.

LOIR, LUIGI, born at Goritz, Austria; contemporary. Landscape painter, pupil of Parma Academy and of Pastolet. Medal, 3d class, 1879. Naturalized Frenchman. Works: In the Avenue de Neuilly on a Winter Day (1875); Porte des Ternes, Kiosk in the Snow (1876); Corner at Neuilly (1877); Quai National at Puteaux (1878); Corner at Bercy during Inundation (1879); The Seine in December, 1879 (1880); Shower (1881); End of Autumn (1882); Dawn at Auteuil (1883); Paris as a Seaport (1885).—Bellier, i. 1053.

LOMAZZO, GIOVANNI PAOLO, born in Milan in 1538, died there in 1600. Lombard school; pupil of Gio. Battista della Cerva. Lanzi mentions several pictures by him. His portrait, by himself, is in the Brera, and there are frescos by him in S. Marco. Painted but little, as he became blind about 1571; best known by his "Trattato della Pittura, Scoltura et Architettura" (Milan, 1584), and "Idea del Tempio della Pittura" (Milan, 1590).—Lanzi, ii. 500; Vasari, ed. Le Mon., xi. 275; Ch. Blanc, École milanaise; Burckhardt, 628, 709.

LOMBARD (Lombardus), LAMBERT, born at Liége in 1505, died there, August, 1566. Flemish school; erroneously called Lambert Suavius or Sustermann; painter, archæologist, and poet; pupil of Arnold de Beer and of Mabuse, and afterwards in Italy, where he accompanied Cardinal Pole (1538), of Andrea del Sarto. On his return to Liége he opened a school which was numerously attended. Vasari calls him a judicious painter and excellent architect. Colour, chiaroscuro, and drawing good, but his pictures are never quite free from Flemish stiffness. Among his works, now very rare, are: Deposition from Cross, National Gallery, London; Martyrdom of St. Barbara, St. Bartholomew's, Liége; Vision, Collection of King of Holland, Hague; Last Supper (1531), Scourges of the Almighty, Brussels Museum; Madonna, Berlin Museum; Death of Lucretia, Germanic Museum, Nuremberg; Adoration of the Magi, Hermitage, St. Petersburg; Adoration of Shepherds, Vienna Museum; Portrait, Antwerp Museum.—Allgem. d. Biogr., xix. 140; Ch. Blanc, École flamande; Fétis, Cat. du Mus. roy., 129; Immerzeel, ii. 183; Kramm, iv. 1004; Kugler (Crowe), i. 238; Michiels, v. 252.

LOMI, ARTEMISIA and ORAZIO. See Gentileschi.

LON, GERT VAN, flourished at Geseke, near Paderborn, about 1505-21. German school; an able representative of the Westphalian school, most probably studied in Soest; has only recently been identified as the master of the following works: Altar of Willebadessen (1521), Triptych with Holy Family and Saints, Triptych with Crucifixion and Saints, Art-Union Museum, Münster; Altarpiece with Last Judgment, Adoration of Magi, Resurrection, Ascension, Paderborn Cathedral; Triptych with Crucifixion, Angels and Saints, Catholic Church, Lippstadt, Westphalia; Crucifixion, Ahrensburg Collection, near Rinteln, Westphalia; Crucifixion, Chapel in Castle Wilhelmshöhe, near Cassel.—Lübke, D. mittelalt. Kunst in Westfalen, 353; Schnaase, viii. 367; W. & W., ii. 98; Zeitschr. f. b. K., xvi. 297.

LONG, EDWIN, born at Bath, July, 1829. History and portrait painter, pupil in London of J. Phillip; went in 1857 to Spain to study Velasquez, and made an extended tour in Egypt and Syria in 1874-75, since which time his principal works have been painted. Elected an A.R.A. in 1876, and R.A. in 1881. Works: