Page:Cyclopedia of painters and paintings (IA cyclopediaofpain03cham).pdf/109

 Francis I., Joseph II., Marie Antoinette, Prince Charles of Lorraine, Marshal Maurice de Saxe, A Princess, Weimar Museum; Male portrait, Berne Museum; St. Peter, Empress Maria Theresa, Portraits of himself (2) and his wife, four other portraits, Musée Rath, Geneva; Portrait of himself, Uffizi, Florence.—Fiorillo; Füssli, iii. 161; Nagler, vii. 546; Cat. du Musée Rath (1882), 34.

LIPINSKI, HIPPOLYT, born at Neumarkt, Prussian Silesia, in 1846, died June 28, 1884. Genre painter, pupil of Cracow Art-School under Matejko, then studied in Munich (1871). Works: Palm Sunday, In Autumn; Bathing Children; Grain Market in Cracow; Procession of Corpus Christi in Cracow (1883).—Land und Meer (1885), lv. 59; Kunst-Chronik, xviii. 88.

LIPPARINI, LUDOVICO, born at Bologna, Feb. 17, 1800, died at Venice, March 10, 1856. History and portrait painter, had attained such a reputation at the age of twenty-five that the Academy of Bologna elected him an honorary member; he then studied in Venice after the works of Jacopo Bassano, Tintoretto, Giorgione, Veronese, and Titian, and at the Academy under Matteini, whose daughter, also a skilful artist, he married. Invited to Rome and Naples, he painted many portraits of distinguished persons; then studied in Florence the works of Fra Bartolommeo, and several years after in Parma those of Corregio, having meanwhile lived again in Bologna. In 1838 he became professor at the Venice Academy. Works: Pisani's Oath not to take Revenge on his Enemies, Vienna Museum; Assumption, Cathedral at Gran, Hungary; Achilles; Erigone (1827); Bacchus and Ariadne; Youth of Jupiter; Byron's Oath on the Grave of Bozzaris; Portraits of Popes Pius VII. and Leo XII., Marshal Marmont, Canova, Rossini, and Thalberg.—D. Kunstbl. (1856), 129, 133; Wurzbach, xiv. 225.

LIPPI, FILIPPINO, born at Prato in 1457-58, died in Florence, April 18, 1504. Florentine school; called by Vasari the natural son of Fra Filippo Lippi by Lucretia Buti, but perhaps an adopted son (C. & C.). Vasari says he was a pupil of Sandro Botticelli, but he was probably taught first by Fra Diamante. He shows high power of expression and composition in the Vision of St. Bernard, in the Badia, one of the most charming pictures in Florence, painted when he was only about twenty years old. His style, though founded upon that of Fra Filippo, is modified by the influence of Botticelli. Though he occupies a lower place in the scale of art than Masaccio, as regards ability in composition, verity, and individuality of type, he excels him in charm and grace. He executed frescos in the Brancacci Chapel of the Carmine, Florence; in the Strozzi Chapel, S. M. Novella; and in the Caraffa Chapel, Minerva, Rome. He also completed some frescos in the Brancacci Chapel left unfinished by Masaccio at his death. Those now attributed to him are: Adam and Eve, Peter in Prison, Martyrdom of Peter, Liberation of Peter. Among the best of his easel pictures are Madonna with Saints (1485), Adoration of Magi (1496), Uffizi, Florence; Death of Lucretia, Palazzo Pitti, ib.; Madonna and Angels, Palazzo Corsini, ib.; Madonna with Saints, S. Spirito, ib.; Altarpiece, S. Michele, Lucca; Christ appearing to the Virgin, Resurrection, (1495), Deposition from the Cross, Old Pinakothek, Munich; Madonna with Saints, Adoration of Magi and St. Francis in Glory, National Gallery, London; Madonna (2), Christ on the Cross, Berlin Museum; St. Joachim and St. Ann, Copenhagen Gallery; Madonna, Dresden Gallery.—C. & C., Italy, ii. 431; Vasari, ed. Le Mon., v. 242; Seguier, 84; Burckhardt, 545; Ch. Blanc,