Page:Cyclopedia of painters and paintings (IA cyclopediaofpain03cham).pdf/105

 in Rome (1886).—Allgem. K. Ch., ix. 609; x. 384; Dioskuren, 1870, 265; Müller, 338; Reber, iii. 247; Regnet, ii. 22; Kunst-Chronik, xii. 97; xvi. 435; xvii. 9,490, 613; xix. 125; Kunst f. Alle, i. 156; Zeitschr. f. b. K., ii. 97; vi. 145; x. (Mittheilungen, iii. 70).

LINDLAR, WILHELM, born at Bergisch-Gladbach, Rhenish Prussia, in 1816. Landscape painter, pupil of Düsseldorf Academy under Schirmer. Member of Amsterdam Academy. Works: The Jungfrau seen from the Wengerna Alp (1848); Mill near Meiringen (1852); Lago Maggiore (1856); Vierwaldstätter Lake (1857), Fodor Museum, Amsterdam; Mountainous View with Water-*fall, Wiesbaden Gallery; View of Monte Rosa (1858); Primeval Forest in Kien Valley, Waterfall in Val Anzasca.—Müller, 339; Wiegmann, D. Kunstakad. zu Düsseldorf.

LINDSAY, Sir COUTTS, Bart., born in England; contemporary. Genre painter; founder (1877) and proprietor of the Grosvenor Gallery, London. Works: Dower House at Balcarres, Sheep returning from Pasture, Daphne (1877); An Idyl, Golden Fetters, Shepherd's Farewell (1878); Ariadne, Knight and his Daughter (1879); Portrait Study, Evening, Venetian Senator (1880); Boat of Charon (1881); The Fates (1882);	Venice Fisherman, Japanese Girl (1883);	In Maiden Meditation (1884). His wife, Lady Lindsay, of Balcarres, paints flowers and still-life, and is a frequent exhibitor at the Grosvenor Gallery.

LINGELBACH, JOHANNES, born in Frankfort-on-the-Main in Oct., 1622, died in Amsterdam in Nov., 1674. Dutch school; painted Italian seaports, landscapes, hunts, and fairs. Went to Amsterdam in 1637, was in Paris in 1642, then returned to Frankfort, and in 1644 went to Rome, where he remained till 1652, when he returned through Germany to Amsterdam. His style was influenced by Wynants, to whose pictures he often supplied figures and animals, and by Wouvermans, whom he successfully imitated. The cool, delicate, silvery tone of his pictures sometimes degenerates into coldness and want of harmony. His composition is skilful, the drawing good, the execution careful. Works: Hay Harvest, National Gallery, London; Vegetable Market (1670), Seaport, and two others, Louvre; Dentist on Horseback (1651), Two Italian Harbours (one dated 1664), Riding-School, Camping, Thoroughfare (Landscape by Wynants), Hunting, Return from the Chase, Amsterdam Museum; Building of New Town Hall, City Hall, Amsterdam; Charlatan on Piazza del Popolo in Rome (1658), Brussels Museum; Port in the Levant (1670), Hay-Making, March of Prince William II. on Amsterdam in 1650, Departure of Charles II. from Scheveningen—1660, Hague Museum; Country People by a Spring, Rotterdam Museum; Wanderers resting at the Foot of a Hill, Aschaffenburg Gallery; Naval Battle between Christians and Turks, Brunswick Museum; Public Square in Italian Town (1669), Carlsruhe Gallery; Turkish Galley engaged in a Sea-Fight, Copenhagen Gallery; Landscape by the Sea, Christiana Gallery; Vessels in Port with many Figures, Dresden Museum; Portrait of himself, and others, Städel Gallery, Frankfort; Hunting Party, Kunsthalle, Hamburg; Harbour of Leghorn, Ferdinandeum, Innsbruck; Muleteers by the Sea-*shore, Königsberg Museum; Hay Making, Old Pinakothek, Munich; Hunting Party Resting, Germanic Museum, Nuremberg; Hay Harvest (2), Rest in the Campagna, Italian Seaport (2), Queen Christina of Sweden, King Charles X. of Sweden, Schwerin Gallery; Merchants in Italian Harbour, Market Square of Italian Town (1666). Guitar Player and Listeners, Italian Harbour with Figures, Assembly on Horseback, Hunting Party, Hermitage, St. Petersburg; Peas