Page:Cyclopedia of painters and paintings (IA cyclopediaofpain03cham).pdf/104

 where Ingres showed especial interest in his compositions, and in 1855 settled in Rome. Professor and member of Accademia di San Luca since 1878. Works: Temple at Pæstum; Puzzuoli with Procida and Ischia; Mount Ætna; Pontine Swamps; Villa Mattei; The Palatine Hill; Strand of Viareggio; Convent Yard of Albano, Duke of Coburg, Vienna; Bay of La Spezia, Carlsruhe Gallery; View of Rome (1869), View of Naples, Fürstenberg Gallery, Donaueschingen.—D. Kunstbl. (1851), No. 37; (1852), No. 13; (1853), 198; (1858), 25; Kugler, Kl. Schriften, iii. 715, 731, 736; Land und Meer (1873), ii. 890.

LINDENSCHMIT, WILHELM, the elder, born in Mentz, March 12, 1806, died there, March 12, 1848. History painter, pupil of Munich and Vienna Academies; studied also the masterpieces in the Belvedere Gallery; returned to Munich and assisted Cornelius in the fresco cycle in the arcades of the royal garden, and, with Philip Foltz, in the decoration of the new palace. Called to Meiningen, he painted in Castle Landsberg a cycle from Saxon history, then returned to Mentz. Works: Artist's Family; Fight of Cimbrian Women against Romans, Munich Art Union; Heroism of Duke Erich of Brunswick, Hanover Art Union; Battle of Arminius (1839), Carlsruhe Gallery; Old German Huntsmen camping beside a Hill; Battle of Sendling—1705, Death of Duke Luitpold in Battle near Pressburg, New Pinakothek, Munich; Entry of Otto the Great into Augsburg. Frescos: Victory of Louis the Rich over Albrecht Achilles of Brandenburg, Arcades, Royal Garden, Munich; Battle of Sendling, Scenes after Poems by Schiller, Royal Palace, Munich; Two Scenes from Life of Leonardo da Vinci, Loggia, Munich Gallery; Cycle from History of Bavaria, Castle Hohenschwangau; Cycle from History of Saxony (1840), Castle Landsberg, Meiningen. His brother Ludwig (born in Mentz, Sept. 4, 1809), pupil in Munich of Cornelius, also distinguished himself as a history painter, but afterwards took up archæology.—Allgem. d. Biogr., xviii. 695; Allgem. K. Ch., ix. 609; Cotta's Kunstbl. (1831), 400; (1846), 46; D. Kunstbl. (1857), 263; Förster, v. 64, 82; Raczynski, ii. 265.

LINDENSCHMIT, WILHELM, the younger, born in Munich, June 20, 1829. History painter, son of Wilhelm, the elder, pupil of Munich Academy, then of Städel Institute in Frankfort, and of Antwerp Academy; continued his studies in Paris, and in 1853 settled in Frankfort; removed in 1863 to Munich, where he became professor at the Academy (1875). Member of Berlin Academy. Gold medal, Berlin, 1870. In 1885 he restored successfully his father's fresco painting—Victory of Louis the Rich at Giengen, in the Arcades of the Royal Garden at Munich. Works: Harvest, Hamburg Gallery; Alva and the Countess of Rudolstadt; Seizure of Francis I. in Battle of Pavia (1858, cartoon); Episode from History of Lützow's Corps (1860); Death of Franz von Sickingen (1861); Assembly of Reformers at Marburg and Institution of Order of Jesus (1862, cartoons); Waldbilder (The Dream, The Duel, etc., 1862); German Hall of Fame (1863, cartoon); Luther as a Scholar singing for Bread; Fisherman and Mermaid (1868), Schack Gallery, Munich; Institution of Order of Jesus (1868); Young Luther with Andreas Proles (1869); Ulrich von Hutten fighting French Nobles (1869), Leipsic Museum; Knox and the Iconoclasts; Murder of William of Orange (1872); Venus beside Body of Adonis; Narcissus; Walter Raleigh in the Tower visited by his Family (1873), Königsberg Museum; Luther's Conversation with Cardinal Tommaso de Vio, Wiesbaden Gallery; Faust in Auerbach's Cellar (1880); Tetzel's Sale of Indulgences (1881); Episode in Youth of Elizabeth of England (1881); The Civic Virtues (frescos, 1883), Town-hall, Kaeufburen; Alaric