Page:Cyclopedia of painters and paintings (IA cyclopediaofpain03cham).pdf/100

 *enna Academy in 1868, and professor in 1872. Medal, Munich, 2d class, 1883. Works: Farm-House near Meran; Alt-Aussee; Oak Landscape; Castle Liechtenstein; View near Mataun; View near Sessana (1868); View near Lundenburg (1873), Vienna Museum; View near Pitten; Danube near Weissenfels; Landscape in Venetian Mountains; Coast View near Quarnero; Hunter's Hut in the Mountains; Sketch from Top of Etna (1880); Five Views in Nether Austria (1883), Baron Albert Rothschild, Vienna; Eight Views in Austria-Hungary (1884), Museum of Natural History, ib.—Müller, 336; Zeitschr. f. b. K., vii. (Mittheilungen, i. 39); ix. 260; xviii. 492; xix. 568; Kunst-Chronik, xvii. 260; xviii. 293, 492, 511; xix. 511; Leixner, Mod. K., i. 117; ii. 121.

LICHTENHELD, WILHELM, born in Hamburg in 1818. Landscape painter, pupil of Munich Academy; paints almost exclusively moonlight landscapes, both in oil and water-colours. Works: Rest during the Chase (1844), Leipsic Museum; Treasure Digger (1858), Moonlight on the Heath (1859), New Pinakothek, Munich; Thunderstorm, Convent Hall by Moonlight (1860); Moonrise over Dachauer Moos, Moonlight Night (1861); Morning Dawn (1862); Cloister in Brixen, Moonlight Night on the Ammer (1866); Foggy Morning, Moonlight Night on Chiem Lake; eighteen water-colours in Holzschuher Collection, Augsburg.—Meyer, Conv. Lex., xvii. 541; Müller, 336.

LICINIO. See Pordenone.

LIEBERMANN, MAX, contemporary. Genre painter in Berlin; since 1873 has attracted attention by his exaggerations of realism, represented in its sound principle by Gussow; but has changed, of late, to a more pleasing style. Works: Geese Pluckers (1873); Turnip Field Gossip (1877); Brother and Sister, Wood-Chopper's Family, Artist's Studio (1878); Christ in the Temple (1879); Orphanage in Amsterdam (1882); Shoemaker's Workshop, Courtyard of Orphanage at Amsterdam (1882); Women at the Bleachery (1883); Munich Beer Garden, Setting in the Loaves (1884).—Leixner, Mod. K., i. 53; ii. 98; Müller, 337; Zeitschr. f. b. K., viii. 120; xvii. 376; xix. 260; D. Rundschau, xiii. 336; xvii. 307; xx. 458; Kunst-Chronik, xx. 399, 747.

LIEHM, ANTON, born at Janegg, Bohemia, Jan. 25, 1817, died there, May 27, 1860. Landscape painter, pupil in Prague of Max Haushofer; lived then in Teplitz in 1852-60. Works: View in the Erzgebirge (1842); do. (1843); Castle Sternberg, View near Ossegg (1844); Mill near Sternberg, Wolfgang Lake, View on Lake Eben (1845); Giant's Spring, Mountain Landscape, View near Salzburg (1846); Views near Eichwald and Dux (1847); Other Views in Erzgebirge Mountains (1848-52); Sunday Morning, Wood in Storm, Summer Noonday in Approaching Storm (1853); Summer Afternoon, Autumn Landscape (1854); Autumn, Sultry Summer-day (1858); Autumn Landscape with Moonrise (1860).—Allgem. d. Biogr., xviii. 627.

LIEMAEKER (Liemackere), NICOLAAS (de), called Roose or Roze, born in Ghent in 1575, died there in 1646. Flemish school; history painter, pupil of Marcus Geerards and of Otto Vaenius; for some time at the court of the Prince of Paderborn, returned to Ghent, where he was president of the guild in 1623-36. Works: The Trinity, St. Bernard, St. Norbert, Holy Family (2), Bust of Christ (2), Apotheosis of the Virgin, Ghent Museum; Virgin in Glory, Cathedral, Ghent; Fall of the Angels (masterpiece), Good Samaritan, Consecration of St. Nicholas, St. Nicolaas, ib.; Institution of the Rosary, Bruges Cathedral.—Immerzeel, ii. 175; Kugler (Crowe), ii. 293.

LIER, ADOLF, born at Herrnhut, Saxony, May 21, 1826, died at Vahrn, near Brixen, Tyrol, Sept. 30, 1882. Landscape painter, pupil in Basle of Süffert and in