Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/95

 Waagen for an original.—Waagen, Art Treasures, iv. 340, 370; Athenæum (1863), 539.

FORTUNE, WHEEL OF, Burne-Jones, Arthur Balfour, Esq., M.P., London; large upright picture. The goddess Fortune, a tall, sad figure, clad in grayish-blue, stands at left, turning round in a listless way the terrible wheel, on which are bound three nude figures, the laurel-crowned poet, the sceptred king, and the slave, alike cowed and wretched, the victims of a cruel and all-powerful chance. Grosvenor Gallery, 1883.

FORTUNY Y CARBÓ, MARIANO, born at Rëus in Catalonia, June 11, 1838, died in Rome, Nov. 21, 1874. Genre painter, pupil of Palau, of Claudio Lorenzalez, and of the Barcelona Academy, where he won the prix de Rome in 1856. At Rome, which became thenceforth his principal residence, he studied Raphael and made sketches of Roman life. In 1859 he was sent to Morocco by the government to paint the incidents of General Prim's campaign, and during this and a second visit painted a large picture of the Battle of Tetuan, besides making many sketches of Moorish life. In 1866 he went to Paris, where through Zamacoïs he entered into business relations with Goupil; and then to Madrid, where (1867) he married the daughter of Madrazo, director of the Madrid Museum, and studied the works of Velasquez, Ribera, and Goya. With the exception of a year in Paris (1869-70) and three years in Spain, he spent the rest of his life in Rome. His vigorous and original style, correct drawing, and fine colour gained him a great reputation, and the auction sale of the contents of his studio after his death brought 800,000 fr. ($160,000). Works: A Glory (1854), original destroyed, sketch belongs to Mr. Galceran, Barcelona; Virgin of Pity (1855), Mr. Soberano, Rëus; St. Paul before the Areopagus (1855), Charles of Anjou on the Shore of Naples, Beranger III. nailing the Arms of Barcelona to the Castle of Foix (1857, won the prix de Rome), Odalisque, The Little Count, 17 faces from Nature, Studies in Morocco (1862), Battle of Tetuan, Barcelona Museum; View of the Tiber, Nereids on a Lake (1858); St. Mariano, Church of Rëus; Bacchantes (1859); studies in Morocco (oil and water-colour, 1860); Arabs Dancing, Mr. Chartrand, Cuba; Head of a Negro (1861), the Collector of Engravings (1863), The Masks, Roman Countrywoman, Old Roman Peasant, Fruit Shop in Granada, Study of Chickens, Academicians of St. Luke choosing a Model, Street in Morocco, Arab Reclining (1869), Stairs of Casa de Pilatos in Seville, The Drunkard, Arquebusier, Tribunal of the Alhambra, Returning to the Convent, Café des Hirondelles (1866), Arab Fantasia, The Antiquaries, Mr. W. Stewart, Paris; Arab Sentinel, Mr. d'Arthez, Tarragona; Three Odalisques, Arab shoeing a Donkey, Mr. Sanz, Madrid; Pond near Tangiers (1865), Man with Helmet, Mr. Goupil, Paris; Collectors of Engravings, Woman in a Garden, Roman Peasant Woman, Departure of the Procession, The Library, Carpet Merchant (1870), Arab on a Rug, Mr. Murrieta, London; The Masks, The Butterfly (1867), Arab Seated, A Concert, Mr. de Goyena, Seville; Standard Bearer, Mr. Hazeltine, Rome; Faust dand Marguerite, Persian, Idyl, Old Man, Arab on Horseback, Mr. Ramon Errazu, Paris; An Arab, Mr. Cusino, Peru; Departure of the Procession, Arabs feeding a Vulture, A Fan, The Butterfly (1868), Mr. Gargollo, Madrid; Bull Ring at Seville, Bull-Fighter's Salute, the Butterfly, Door of the Church of San Gines, Mr. F. De Madrazo, Madrid; The Carnival, Mr. Ayala; Spanish Marriage (1869), Mme. de Cassin, Paris; Snake Charmers, Mr. Ed. André, Paris; Bull-Fighter, Mr. Le Roy, Paris; Arquebusier, Mr. d'Épinay, Rome; Court of the House of Chapiz in Granada (1871); Arab Praying (1872), Mr. Oppenheim, Paris;