Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/88

 Vienna. Engraved by J. H. Robinson, P. Lightfoot, S. C. Hall, R. Graves, A. H. Payne, R. Cockburn, C. Cousen.—Curtis, 281; Art Journal, 1877; Art Union, 1841; Scott, Murillo; Waagen, ii. 346; Ch. Blanc, Murillo, 16; Jameson, Public Galleries, 483; Richter, Dulwich Cat., 99.

FLOWER MARKET, Firmin Girard, T. R. Butler, New York. Scene on the quay where the flower-market of Paris is held, with groups buying and selling; in background, the Seine and architecture. Salon, 1876. Etched by Gustave Greux.—L'Art (1876),	ii. 300; iii. 240.

FLÜGGEN, GISBERT, born in Cologne, Feb. 9, 1811, died in Munich, Sept. 3, 1859. Genre painter, pupil of Düsseldorf Academy. In 1835 he settled in Munich. Has been called the German Wilkie on account of the similarity in subject and character of his works to those of the Scotch master. Works: Servants Surprised (1839), Hermitage, St. Petersburg; Chess Players, Interrupted Marriage Contract (1840); Unlucky Player (1841), Mentz Museum; Deciding the Lawsuit (1847); Betrothal, Tasting Wine, Morning Kiss, Opening of Will, Money Changers (1850); Seizure for Debt at Young Musician's (1854); Disappointed Legacy Hunters (1848), Hanover Gallery; Speculators; Last Moments of King Frederic Augustus of Saxony; Anteroom of a Prince (1859), New Pinakothek, Munich.—Allgem. d. Biogr., vii. 140; Brockhaus, iv. 982.

FLÜGGEN, JOSEF, born in Munich, April 3, 1842. History and portrait painter, son of Gisbert, pupil of Munich Academy and of Piloty, went in 1866 to Paris, London, Brussels, and Antwerp, where he was influenced by Leys. Now professor in Munich Academy. Works: Elizabeth of Thuringia (1867); The Hostess' Daughter (1869); Family Happiness; On Coast of Genoa; Pouting Love-Couple; Milton dictating Paradise Lost; Landgravine Margaret taking Leave of her Children; Regina Imhof (1877); Baptism of Emperor Maximilian I. (1879); First Booty (1881); Last Jewel (1884); King Karl's Sea-trip (1885), Royal Palace, Bucharest.—Brockhaus, vi. 929; Illustr. Zeitg. (1882), i. 9; N. illustr. Zeitg. (1880), ii. 503; Land und Meer (1870), i. 212; Zeitschr. f. b. K., xix. 135.

FOGOLINO, MARCELLO, of Vicenza, first half of 16th century. Venetian school; a native of the district of Friuli, he was apprenticed at Vicenza, and spent some of his later years in San Vito; painted also in Pordenone and in Trent. His early work is in the manner of Verlas and Speranza, but his later pictures show the influence of Raphaelesque models. Among the latter are the Virgin crowned by Angels in the Santissima Trinità, Trent, and the Madonna and Saints in the church of Bovo, near Trent.—C. & C., N. Italy, i. 443.

FOHR, DANIEL, born at Heidelberg, May 13, 1801, died at Baden-Baden, June 25, 1862. Landscape painter, brother of Karl Ph. F., self-taught, came in 1829 to Munich, where he rapidly gained reputation. Works: Wood Landscape with Mazeppa, View of Königsee (1836); The Steinberg near Berchtesgarten (1837), Four Seasons or Four Epochs of German History, Carlsruhe Gallery.

FOHR, KARL PHILIPP, born at Heidelberg, Nov. 26, 1795, died in Rome, June 29, 1818. Landscape painter, pupil of Munich Academy. Influenced by Josef Anton Koch at Rome, where he was drowned while bathing in the Tiber. Works: In Carlsruhe and Darmstadt Museums, and Städel Gallery, Frankfort.—Allgem. d. Biogr., vii. 147; Dieffenbach, Leben des Malers K. F. (Darmstadt, 1823).

FOLTZ, PHILIPP, born at Bingen, May 11, 1805, died in Munich, August 5, 1877. History and genre painter, pupil of Düsseldorf and Munich Academies under Cornelius, whom he assisted in the decoration of the Glyptothek. After painting some frescos in the new Royal Palace, he went to Rome in 1835, and on his return became professor at the Munich Academy in 1839, and director of the Central Gallery in 1855.