Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/74

 (1865), Hafiz at the Fountain, Idyl from Tivoli, Roman Family Scene, Portrait of Nanna, Schack Gallery, Munich; Medea preparing for Flight (1870), New Pinakothek, ib.; Medea brooding over Infanticide (1871); Boys and Dryad (1865), Medea mourning over the Urn (1873); Banquet of Plato (1867); Orpheus and Eurydice (1870); Iphigenia (1871), Stuttgart Gallery; Gypsies dancing in the Woods, Judgment of Paris (1870), Kunsthalle, Hamburg; Battle of Amazons (1872); Romeo and Juliet; Melancholy; Prometheus; Banquet of Plato (1873); Concert of Venetian Girls (1879).—Brockhaus, vi. 751; Graph. K., iii. 1; Kunst-Chronik, xv. 238; xvii. 393, 429, 459; Illustr. Zeitg. (1880), i. 88; ii. 564; N. illustr. Zeitg. (1880), i. 250; Schack, Meine Gemäldesammlung, 95; Zeitschr. f. b. K., viii. 161.

FEYEN, EUGÈNE, born at Bey-sur-Seille (Meurthe), Nov. 13, 1815. Genre painter, pupil of P. Delaroche; paints fishermen in a very attractive way. Medals: 1866; 2d class, 1880; L. of Honour, 1881. Works: Street Musicians, Promenade in the Park (1866); Souvenirs, Idyl on a Wall (1868); Gleaners of the Sea (1872), Luxembourg Museum; Oyster-Fishing at Cancale, Bull-Head Fish, On the Shore (1874); Rescued Child, Fisherman's Return (1879); Cancale Fishwives returning in a Boat, Nurse Asleep (1880); Fishing on Foot for Oysters, Fishermen's Departure (1881); Harvesters Resting, Low Tide (1882); Fishing, Repairing the Nets (1883); Departure for Fishing, Fisherman's Wife (1884); Before the Storm, Bay of Cancale (1885).

FEYEN-PERRIN, (FRANÇOIS NICOLAS) AUGUSTIN, born at Bey-sur-Seille in 1829. Genre and portrait painter, pupil of L. Cogniet and Yvon. Medals: 1865; 1867; 3d class, 1874; L. of Honour, 1878. Works: Return to the Cottage (1855); Charon's Boat (1857), Nancy Museum; Dante's Circle of the Voluptuous (1859); Venetian Festival (1861); The Muse of Béranger (1863), Dr. Velpeau's Lesson in Anatomy, On the Beach (1864); The Elegy, Finding the Body of Charles the Bold after the Battle of Nancy (1865); Women of Batz Island waiting for the Ferry (1866); Woman winnowing Grain (1867); Wreck of the Evening Star (1868); Circle of the Stars (1869); Melancholy (1870); Spring-Time (1872); Cancale Women at the Spring, Return from Market (1873), Return of the Oyster-Fishers (1874), Luxembourg Museum; Cancale Women (1876); Parisian Woman at Cancale (1877); Death of Orpheus (1878); Women knitting by the Sea (1879);	Return from Fishing at Low Tide (1880); Astarte, Fishing on Foot (1881); Drunkenness, The Corniche Road (1882); Spring-Time, Dancing by Twilight (1883); Armorica, The Bath (1884); Remorse, The Bath (1885).—Meyer, Conv. Lex., xviii. 318.

FIACCO (Flacco), ORLANDO, born in Verona, flourished about 1560. Venetian school; history and portrait painter, pupil of Francesco Torbido, according to others, of Badile; praised by Vasari especially for his portraits. Works: Ecce Homo, Crucifixion, S. Nazario, Verona.—Lanzi (Roscoe), ii. 208; Nagler, iv. 310.

FIALETTI, ODOARDO, born in Bologna in 1573, died in Venice in 1638. Venetian school; history painter, pupil of Gio. Battista Cremonini at Bologna and of Tintoretto in Venice, where most of his paintings are to be found. Works: Crucifixion, S. Croce, Venice; others in S. Marco, Venice, and S. Andrea, Murano; Senators of Venice in Senate House, Hampton Court Palace.—Lanzi (Roscoe), ii. 195; Nagler, iv. 310.