Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/50

 Replica in Capitol Gallery, Rome; another, small, with changes, National Gallery, London. Engraved by Rainaldi; Lefebvre.—Ruskin, Stones of Venice, iii. 297; Klas. der Malerei, Pl. 76; Landon, Musée, xv. Pl. 29; Righetti, Campidoglio, ii. Pl. 206; Rosini, v. 274; Réveil, xii. 823.

EUSEBIO DI SAN GIORGIO. See San Giorgio.

EUTHYMIDES, third-rate painter, place and date unknown (Pliny, xxxv. 40 [146]). Perhaps identical with Euthymides of Hadria, son of Polius, vase-painter, whose name is on a vase found at Vulci.

EUTYCHIDES, painter, place and date unknown. His picture of a two-horse chariot is mentioned by Pliny (xxxv. 40 [141]). Perhaps identical with the sculptor of the same name from Sicyon, mentioned by Pausanias (vi. 2. 6) and Pliny (xxxiv. 78).

EUXINIDAS, painter, master of Aristides of Thebes, about 400-380 Works unknown.—Pliny, xxxv. 36 [74],

EVANS, DE SCOTT, born in Boston, Ind., in 1847. Portrait and genre painter, pupil of Bouguereau in Paris, 1877-78. Studio in Cleveland, where he is professor in the Academy of Fine Arts. Exhibits at the National Academy, New York. Ideal works: Mother's Treasure, T. D. Crocker, Cleveland; In the Studio; Old Tapestry, The Answer (1881); Old Clock, Taxidermist (1882); Old Spring House, Morning (1883); Birthday Card (1884).

EVANTHES, painter, of Egypt, 4th century Painted an Andromeda and a Prometheus for the Temple of Zeus Kasius at Pelusium.—Achilles Tatius, iii. 6 (edition Jacobs).

Creation of Eve, Michelangelo, Sistine Chapel, Rome.

EVE, CREATION OF, Michelangelo, Sistine Chapel, Rome; fresco on ceiling. Illustration of Genesis ii. 21-23.

EVENOR, painter, of Ephesus, father and master of Parrhasius, lived about 420 —Pliny, xxxv. 36 [60]; Paus. 1, 28, 2; Athen. xii. p. 543.

EVERDINGEN, ALLART (Aldert) VAN, born at Alkmaar in 1621 (?), died in Amsterdam, Nov., 1675. Dutch school; landscape painter, pupil at Utrecht of Roelandt Savery, and the master of Backhuysen and Ruysdael. From 1645 to 1651 lived at Haarlem, and from 1654 to 1675 in Amsterdam. Everdingen's landscapes are poetic and spirited. His treatment of rocks and waterfalls, forests and sea-views, is truthful and vigourous, both in his pictures and his numerous etchings. Many of his studies from nature were made in Norway, which he visited in 1640-44. Works: Norwegian Landscapes (2), National Museum, Amsterdam; Two Waterfalls, Rotterdam Museum; Rocky Landscape, Vienna Museum; Landscapes (2), Louvre; River Landscape (1648), Norwegian Waterfall, Norwegian Landscapes (2), Wooded Slope, Castle by River, Berlin Museum; Waterfall with Alpine Hut, Norwegian Landscape (1647), Brunswick Museum; Ravine with Torrent, Cologne Museum; Landscape with Waterfall (1650), Storm at Sea, 2 Landscapes, Old Pinakothek, Munich; Stag-Hunt (1643), 4 Landscapes, Dresden Gallery; Mountain Torrent in Norway, Breslau Museum; Stormy Sea, Landscape with Mill, Norwegian Landscape,