Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/433

 *dam Museum; Male Portrait (1826), Leyden Museum.—D. Kunstbl. (1857), 424; Immerzeel, ii. 138; Kramm, iii. 911; Larousse, ix. 1272.

KRUSEMAN, JAN ADAM, born in Haarlem, Feb. 12, 1804, died there, March 17, 1862. History and portrait painter, cousin and pupil in Amsterdam of Cornelis, studied then from nature and after the great masters in Amsterdam Museum, and in Brussels under David; returned to Amsterdam in 1825, was co-director of the Academy in 1831-35, and one of the founders of the Society Arti et Amicitiæ. Works: Portrait of Czar Alexander I. (1832); of Kings William I. and William II., Count and Countess van Styrum; Company of Dutch Poets, Portraits of King William II. (1840) and of Adriaan van der Hoop, Elijah and the Shunammite Woman (1825), Young Girl Resting (1827), Amsterdam Museum; Christ and Woman of Samaria; Prodigal Son; Cain and Abel; Noah's Curse; Narcissus; Joseph and Benjamin; Abraham and Isaac; Shunammite Woman; Male Portraits (1822, 1848), Portrait of Himself (1844), Haarlem Museum; Landscapes (2) (1850), Leipsic Museum; Midday Nap (1855).—Burger, Musées, ii. 160; Immerzeel, ii. 140; Kramm, iii. 914; vii. 97.

KRUSEMAN VAN ELTEN, H. D., born at Alkmaar, Nov. 14, 1829. Landscape painter, pupil in Haarlem of Lieste, and student of nature in Germany, Switzerland, and Tyrol. Continued his studies in Brussels, and settled in Amsterdam, whence he moved to New York in 1865. Member of Rotterdam and Amsterdam Academies, and of Belgian Water Colour Society; A.N.A in 1871, and N.A. in 1883. Medals: Amsterdam, 1860; Philadelphia, 1876. Studio in New York. Works in oil: Early Morning in Woods, Queen of Holland; Well on the Heath (1860); Summer Morning—Esopus Creek (1867); Morning in the Hartz (1871); Passing Shower near Pittsfield (1875); Windmills—Holland, Hurlbut Collection, Cleveland; Corn-fields, Clearing Off—Adirondacks, Grove in the Heath, Russell's Falls—Adirondacks (1876); Hillside (1879); Grain Field—Connecticut, Summer in Shepaug Valley (1880); Morning on River Banks (1881); Near the River, After the Rain (1882); Midday, Coming Storm (1883). Water-colours: Sunday Morning in Holland (1867); Meadows near Farmington (1871); Evening on Long Island Sound (1875); Scene in Holland, Autumn in the White Mountains (1876); Morning near Gloucester—Mass. (1878); Bright Day in August, Old Settler, Summer Evening (1884).—Sheldon, 196; Müller, 312.

KÜCHLER, ALBERT, born in Copenhagen, May 2, 1803. History and genre painter, pupil of Copenhagen Academy under Eckersberg; received medals in 1822 and 1825, gold medal in 1829; went to Munich in 1830, and then to Rome, where he became a follower of Overbeck. In 1844 he embraced Catholicism, and under the name of Fra Pietro became a Franciscan Monk (1851), since which time he has painted altarpieces only. Member of Copenhagen Academy since 1877. Works: Young Fruit-Seller in Artist's Studio (1828), Copenhagen Gallery; Christ healing the Sick (1829); Christ appearing to the Disciples; Joseph relating his Dream (1833), Bride dressed by her Mother (1836), Copenhagen Gallery; Family Scene on Lake of Nemi, Roman buying Priest's Hat for his Child, Little Abbé examined by his Sister, Family of Colonel Paulsen, Thorwaldsen Museum, Copenhagen.—Sigurd Müller, 198; Weilbach, 386; Land und Meer (1874), i. 366.

KÜGELGEN, GERHARD VON, born at Bacharach on the Rhine, Jan. 6, 1772, murdered near Loschwitz, Dresden, March 27, 1820. History and portrait painter, pupil of Zick in Coblentz, and of Fesel in Würz