Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/423

 Works: Place of Refuge; Emigrants; Scenes from Peasants' War; Marriage of Archduke Ferdinand with Philippine Welser; Tilly's Retreat after Battle of Magdeburg; Baptism of Luther; Faust and Gretchen in the Garden; Sunday Morning; Dürer receiving Message from Margaret of Parma; Wedding Procession of Archduke Maximilian in Ghent; Philippine Welser interceding for her Husband; Charles V. at Fugger's; Emperor Maximilian at Dürer's; Departure for the War; Almsgiving; Hugo van der Goes painting Portrait of the Infanta Marie de Bourgogne, New York Museum.—Art Journal (1867), 9; Journal des B. Arts (1860), 144; Kunst-Chronik, xx. 605.

KOLLOCK, MARY, born in Norfolk, Va., in 1840. Landscape painter, studied at the Pennsylvania Academy, Philadelphia, under Robert Wylie, and in New York with J. B. Bristol and A. H. Wyant. Studio in New York; exhibits at the National Academy. Works: Midsummer in the Mountains (1876);	On the Road to Mount Marcy (1877);	Evening Walk (1878); Coming Home (1879); Two-hundred-and-twenty-year-old House in East Hampton (1880); Empty Chair (1881); On Rondout Creek, Blind Fiddler (1882); Brook (1883); Gathering Wild Flowers (1884).

KOMPE (Compe), JAN TEN, born at Amsterdam, Feb. 14, 1713, died there in 1761. Dutch school; landscape and city view painter, pupil of Dirk Dalens, the younger (1688-1753), but took Jan van der Heyden and Gerrit Berkheyde for his models. Works: Market in Haarlem, Copenhagen Gallery; Country House near Antwerp (1755), Street in Dutch City, Gotha Museum; Landscape with Sheep (1757), Kunsthalle, Hamburg; View of Dutch Gracht (1740), Moat of Dutch City, Schwerin Gallery.—Immerzeel, i. 144; Kramm, i. 258; Scheltema, Aemstels Oudh., v. 70.

KÖNIG, (FRANZ) NIKOLAUS, born in Berne, April 5, 1760, died March 27, 1832. Landscape painter, pupil of Freudenberger at Berne. Lived at Interlaken in 1798-1800. Works: The Staubbach (1804), Berne Museum; Interlaken and Unterseen.—Allgem. d. Biogr., xvi. 505; Cotta's Kunstblatt (1822), 344; (1832), 212; Goethe, Ueber Kunst und Alterthum, ii. 132.

KÖNIG, GUSTAV, born in Coburg, April 2, 1808, died in Erlangen, April 30, 1869. History painter, pupil of the Nuremberg Art School in 1830-32, then of the Munich Academy under Schnorr. Painted seven scenes from Saxon history for the Duke of Coburg, and thenceforth took his subjects principally from the Reformation period, as he is also called Luther-König. Works: Seven Scenes from Reformation in Saxony (1837, seq.); Elector John Frederic at Chess; Nathan's Sermon before David (1861), New Pinakothek, Munich; Luther and Zwingli at Marburg (1862).—Allgem. d. Biogr., xvi. 512; Dioskuren (1870), 177; Förster, v. 104; Reber, ii. 53; Regnet, i. 343; Ebrard, Gust. König, sein Leben u. s. Kunst (Erlangen, 1870).

KÖNIG, JOHANN, flourished at Augsburg about 1600. German school, history painter; executed for the town hall at Augsburg a Last Judgment, the Story of Ananias and Sapphira, and three Allegories on the Manner of Ruling. He often painted on agate, marble, and other stones, e.g., the Last Judgment and the Passage of the Israelites through the Red Sea, painted on both sides of an agate, in the University Library at Upsala. In the Vienna Museum are four pictures of the Seasons, represented by children playing, harvesting, etc. If identical with the painter of a series of four landscapes in the Sienna Academy, and with Jacob König, by whom are four landscapes with figures in the Gallery at Wiesbaden, and several in the Städel Gallery at Frankfort, he was in Rome in 1613, and there possibly a pupil of Elsheimer, of whose well-known picture Contento he made a copy in 1617, which is in the royal palace at Munich. By his son, Niklaes, who flourished at Nuremberg about 1600 (?), there is a