Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/405

 Alms, The Giaour, Marino Falieri, Milton dictating Paradise Lost, Dante at the Convent-gate, Last Moments of Karl Maria von Weber (last three, 1858), King of Belgium; Francis I. visiting Benvenuto Cellini's Workshop, Museum Fodor, Amsterdam; Albert and Isabella attending Lecture by Justus Lipsius at Louvain, Baron van Heeckeren, The Hague; Columbus with his Son leaving Barcelona; Tasso in Prison; Dante in the Studio of Giotto; Invention of Plastic Arts; Charlemagne weeping at Sight of Norman Ships; Entombment (1860); Caritas; Charles V. after Taking of Tunis delivering Christian Slaves, Lady's Portrait (1862), Antwerp Museum; Portraits of King Leopold I. and Queen Louise, Senate Chamber, Brussels; Fresco, Development of Art in Brabant (1864-66), Vestibule, Antwerp Museum.—Art Journal (1866), 5; Immerzeel, ii. 108; Journal des B. Arts (1865), 119; (1872), 174, 191; Kramm, iii. 865; vii. 94; Larousse, ix. 1198; Messager des sciences, etc. (1837), i.; Riegel, Wandmalerei, 73; Soust, L'école d'Anvers en 1858, 28; Vlaamsche school (1855), 49, 58.

KEYSER, THOMAS DE, born in Amsterdam in 1596 or 1597, died there, buried Nov. 19, 1679. Dutch school, history, genre, and portrait painter; his small pictures are very characteristic, but the large ones less original. His portraits, which are truthful, and of warm clear colouring, appear to have influenced Rembrandt when the latter came to Amsterdam in 1631. Works: Merchant and Clerk (1627), National Gallery, London; Male Portrait (1631), Versailles Museum; Female Portraits (2), Brussels Museum; Family Group, Admiral Hein, do. and Family, Pieter Schout (1666), Marten Rey and Wife (1627), Museum, Amsterdam; Anatomy Lesson (1619), Members of Civic Guard (1633), Theseus and Ariadne, City Hall, ib.; Portrait of Claes Fabricius (1629), Haarlem Museum; Portrait of a Magistrate (1631), Four Burgomasters of Amsterdam (1638), Hague Museum; Family Group, Old Man and Son, Old Lady and Daughter (1628), Portrait of Cornelis de Graef, do. of Catarina Hooft, Berlin Museum; Portrait of Man and Wife, Copenhagen Gallery; Male and Female Portrait (1647), Darmstadt Museum; Two Cavaliers on Horseback, Dresden Museum; Family Group in a Landscape, Gotha Museum; Young Man's Portrait, Kunsthalle, Hamburg; Clerk explaining Accounts to Lady (1650), Old Pinakothek, Munich; Married Couple in a Park, Schwerin Gallery; Male Portrait, Oldenburg Gallery; do. (1632), Hermitage, St. Petersburg; do., Liechtenstein Gallery, Vienna.—Allgem. d. Biogr., xv. 694; L'Art (1877), ii. 77; Burger, Musées, i. 231; Immerzeel, ii. 107; Kramm, iii. 869; Kugler (Crowe), ii. 357; Nagler, Mon., v. 125; Riegel, Beiträge, i. 146, 152; Stuers, 61.

KICK, JAN, flourished about 1640-50. Dutch school; genre painter, probably formed under the influence of Dirk Hals and Jacob Duck. Was perhaps the father of the flower painter Cornelis Kick of Amsterdam (1635-75). Works: Soldiers resting in a Stable (1648), Berlin Museum; Similar Subject, Wilhelm Gumprecht, Berlin; Soldiers at Cards in a Barn (? attributed to Jan le Ducq), National Gallery, Edinburgh; Young Officer in a Landscape, Peter von Semenoff, St. Petersburg; Return from Falcon Chase (attributed to Van der Helst), Count Moltke, Copenhagen; Travellers attacked by Bandits, Mrs. Hope, London.—Bode, Studien 153.

KIEDERICH, PAUL JOSEF, born in Cologne, Sept. 15, 1809, died in Düsseldorf, April 4, 1850. History and portrait painter, pupil at Cologne of Kuntz and De Noël, and of the Düsseldorf Academy (1832). His peculiar, chronicler-like style gives his works no little interest. Works: Charles V. at San Yuste (1835); Death of Jean de Lavalette (1840), National Gallery, Berlin; Emperor Frederick II. and Peter de Vincis (1844); Portraits of Henry V. (Frankfort), Philip the