Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/399

 Academy, Philadelphia; Otto III. in the Tomb of Charlemagne (fresco), Nuremberg Museum; Meeting of Charlemagne and Wittikind, Assassination of Cæsar (cartoon), Battle of Salamis, Maximilianeum, Munich; Nero persecuting the Christians; Peter Arbues—the German Michael; Cupid and Psyche, Mrs. A. T. Stewart, New York; Charity, H. Probasco, Cincinnati.—Allgem. d. Biogr, xv. 478; Art Journal (1865), 365; Brockhaus, x. 202; Dioskuren, 1865; Illust. Zeitg. (1872), i. 31; (1874), i. 9, 331; (1876), i. 310; Kugler, kl. Schriften, iii. 278, 421, 549; Kunst-Chronik, vii. 356; viii. 544; ix. 425; Mitterbacher, Kaulbach's Nero; Pecht, ii. 54; Perrier, Études, 266; Rosetti, F. A, 123; Reber, ii. 60, 186; Regnet, i. 212; Schasler, D. Wandgemälde W. v. K's.; Land und Meer (1874), i. 15; ii. 751; Woltmann, Aus vier Jahrhunderten, 288; Proceedings Amer. Acad., viii. 239; Zeitschr. f. b. K., i. 37, 118; v. 129; xi. 257.

KEHREN, JOSEF, born at Hülchrath, Duchy of Berg, May 30, 1817, died in Düsseldorf, May 12, 1880. History painter, pupil of the Düsseldorf Academy, where he was Schadow's assistant. In 1839 he produced his first independent work, and afterwards assisted artist friends in the execution of frescos, viz.: Stilke at Burg Stolzenfels in 1846, Müller in St. Apollinaris Church, Remagen, and Rethel in the cycle from the life of Charlemagne in the City Hall at Aix-la-Chapelle, which he completed (1862) after Rethel became insane (1852). Works: St. Agnes, Count Trips (1839); St. Hubert (1841); Madonna (1842) Church at Wevelinghofen; Christ and Peter (1844); Loreley (1847); Joseph discovering himself to his Brethren (1849), Miss Mason, New York; Christ and Disciples at Emmaus (1852); Good Shepherd, Christ Crucified, Mater Dolorosa (1872); Saul beside Body of St. Stephen (1873, cartoon).—Allgem. d. Biogr., xv. 528; Förster, v. 384; Kunstbl. (1854), 371; (1857), 43; (1858), 56; Kunst-Chronik, xv. 624; Wolfgang Müller, Düsseldorfer K., 55; Wiegmann, 175.

KEIRINCX (Kerrincx, Kierings), ALEXANDER, born in Antwerp, Jan. 23, 1600, died in Amsterdam after 1652. Flemish school; landscape painter, Master of Antwerp guild in 1619, bought freedom of Amsterdam, January 30, 1652, probably lived for some time at Utrecht, and is not, as heretofore reported by Dutch writers, identical with Jacob Keerincx who went to England to paint for Charles I. castles and landscapes in Scotland. Poelenburg often supplied the figures in his pictures. Works: Forest (1629), Hague Museum; do. (1630), Rotterdam Museum; Landscape with Flight into Egypt, Basle Museum; Temple Ruins, Leipsic Museum; Temptation of Christ (1636), Schleissheim Gallery; Landscapes in galleries at Aschaffenburg, Augsburg (3), Copenhagen (3, one dated 1630), Schwerin (2), in museums at Boston, Brunswick (3, two dated 1621, 1640), Cologne, Darmstadt, Dresden (4, one dated 1620), and Stockholm; in Old Pinakothek, Munich (1631), Liechtenstein Gallery, Vienna, and Hermitage, St. Petersburg (2).—Allgem. d. Biogr., xv. 539; Kramm, iii. 842; Riegel, Beiträge, i. 89; ii. 162, 176; Van den Branden, 1059.

KELLER, ALBERT, born at Gais, Switzerland, April 27, 1844. Genre painter, pupil of Munich Academy under Lenbach, then under Ramberg, whose most gifted scholar he was; studied the old masters, and visited Italy, France, England, and Holland. Medal, Vienna, 1873. Works: The Tipplers (1869); Audience of Louis XV. (1871); Chopin (1873); Sylvan Solitude, Temptation (1876); Rendezvous; Lady in Ball Toilet, Souvenir (1877); A Roman Bath; Empress Faustina in the Temple