Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/39

 Madonna and Saints (1579), Louvre; Creation of Adam, St. Yves (1616), Drunkenness of Noah, Sacrifice of Abraham, Uffizi, Florence; Susanna at the Bath (1600), Vienna Museum.—Ch. Blanc, École florentine; Vasari, ed. Le Mon., vii. 163; viii. 261.

ENDER, EDUARD, born in Vienna in 1824. History and genre painter, son and pupil of Johann E., and student in the Vienna Academy. Works: Wallenstein and Seni (1844); Corbeille de Mariage (1850); Tasso at Court of Ferrara (1852); Francis I. in Cellini's Studio (1854); Emperor Rudolph II. and Tycho de Brahe (1855); Philip IV. Painting Order on Portrait of Velasquez (1856); Shakespeare reading Macbeth at Court of Elizabeth; Emperor Joseph II. meeting Mozart; Schiller at Court of Weimar; Rembrandt in his Studio; Elizabeth and Van Dyck; Rudolf IV. on Site of St. Stephen's in Vienna; Pouting Corner; Secret Communication; Drinking and Brawl; Game of Chess (1857); Puritans on Guard; Humboldt and Bonpland on the Orinoco; Marie Antoinette's Farewell of Maria Theresa.—Brockhaus, vi. 124; Land und Meer (1872), Nos. 4, 21; Wurzbach, iv. 38.

ENDER, JOHANN, born in Vienna, Nov. 3, 1793, died there, March 16, 1854. History and portrait painter, pupil of Maurer, Caucig, Füger, and Lampi in the Vienna Academy, where he obtained four prizes and the great gold medal. Visited Italy, Malta, Corfu, Greece, and Constantinople in 1818-19. Studied and copied the old masters at Rome in 1820-26, then went to Paris and Vienna, where he painted chiefly portraits in the style of Isabey. In 1829-50 was professor at the Academy. Works: Marcus Aurelius on his Deathbed (1814), National Gallery, Pesth; Orestes pursued by the Furies (1815); Minerva showing Ithaca to Ulysses (1816); Assumption, Sleeping at Christ's Sepulchre (1817); Judith; Bacchus finding Ariadne; Portraits of Duchess of Coburg, of Princesses Eszterhazy, Hohenzollern, Auersperg, Liechtenstein, and Taxis, and of Emperor Francis; Madonna in Landscape, Vienna Museum; Crucifixion (fresco, 1850-52), Liechtenstein Chapel, St. Stephen's, Vienna.—Allgem. d. Biogr., vi. 105; Brockhaus, vi. 124; Wurzbach, iv. 38.

ENDER, THOMAS, born in Vienna, Nov. 4, 1793, died there, Sept. 28, 1875. Landscape painter, twin brother of Johann, pupil of the Vienna Academy under Mössmer and Steinfeld. Won the grand prize in 1816. Went in 1817 to the Brazils, and in 1819 accompanied Prince Metternich to Italy, where he remained four years; in 1826 he visited Paris, in 1836 became corrector, and later was professor at the Vienna Academy until 1849. Works: View of Gross-*glockner, High Göll with Berchtesgaden Valley, Castle Tyrol, Nons Valley with Castle Cles, Coast of Sorrento, all in Vienna Museum; View of Rio Janeiro, Vienna Academy; Chapel in the Woods, National Gallery, Berlin; Ruin of the Habsburg, Prospect from the Habsburg (1866).—Allgem. d. Biogr., vi. 106; Brockhaus, vi. 124; Kunst-Chronik, i. 53; xi. 304; Wurzbach, iv. 41.

ENDYMION, SLEEP OF, Girodet de Roussy, Louvre; canvas, H. 6 ft. 6 in. × 8 ft. 6 in. Endymion, nude, lies asleep, on his mantle and a tiger-skin, under a tree; beside him are his bow and his spear, and at his feet, left, his dog lies sleeping; in background, Cupid, in the form of Zephyr, draws aside the branches that the moonbeams may fall upon him. Painted in Rome in 1792; acquired, in 1818, with the Deluge and the Burial of Atala, for 50,000 francs. Engraved by Chatillon (1810).—Réveil, ii. 137.

By Guercino, Uffizi, Florence; canvas, H. 2 ft. 9 in. × 3 ft. 2 in. Endymion, nude, seated, leaning his head upon his arm; background, a night landscape, with the crescent moon. Acquired by gallery in 1795. Engraved by J. B. Massard père.—Molini, Gal. di Firenze, i. 19; Soc. Ed. and Paris, Gal. di Firenze, Pl. 133; Wicar, i. Part 7.