Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/381

 *seum; Grandier's Apology (1839), Bordeaux Museum; Adoration of the Magi (1843), Préfecture de la Seine, Paris; Captain Tronçon du Coudray, Battle of Rocroy, Siege of Landau, Battle of Pozzolo, Skirmish of Tirlemont, Capture of Furnes, Assault of Sierk, Surrender of Dunkirk, Versailles Museum; The Crib (1852); Holy Family (1859); Beethoven with Peasants, Prayer (1865); Inspiration (1868); Isaac and Rebekah (1869); Holy Family (1870); Mozart in the Sistine Chapel, Debrey Mill on Montmartre (1879); Virgin and Child (1880).—Bellier, i. 845; Larousse.

JOVER, FRANCISCO; contemporary. History painter, studied in Madrid and Rome; devoted himself specially to fresco painting, which he revived in Spain. Works: Columbus as a Prisoner on board his Ship (1862); Philip II. blessing his Children (1864); Cardinal Ximenes delivering Christians in Oran (1871); Treaty of Cambray; Papal Court and Capuchin Saint.

JOYANT, JULES ROMAIN, born in Paris, Aug. 16, 1803, died there, July 6, 1854. Landscape and architecture painter, pupil of Bidauld, Lethière, and of the architect Huyot. His pictures are well composed and correctly drawn, and the colouring is rich and agreeable. His masterly pen-and-ink sketches are much sought after. Medals: 2d class, 1835; Brussels, 1845; L. of Honour, 1852. Works: Palace of the Doges in Venice (1835); View of S. M. della Salute in Venice (1835), Nantes Museum; Ponte Rialto (1841), Amiens Museum; Campo Vaccino in Rome (1843), Dijon Museum; Riva dei Schiavoni (1844); Old Palace of the Popes at Avignon (1845); Square of S. Marco in Venice.—Bellier, i. 845; Larousse.

JUAN DE AUSTRIA, DON, Velasquez, Madrid Museum; canvas, H. 6 ft. 7 in. × 4 ft. A buffoon, called Don Juan de Austria, or the Artillerist, standing, looking front; dress, black jacket, red stockings, and black hat with red feather; ground strewn with weapons and armour; through a doorway, the sea and a burning ship. Latest manner. Engraved by Fosseyeux; Allais; E. Lingée (as portrait of F. Cortes). Etched by F. Goya; B. Maura; Rajon.—Curtis, 32; Gaz. des B. Arts (1880); xxi. 126; Madrazo, 628.

JUAN DE BARBALONGA. See Vermeyen.

JUAN DE DIOS, SAN, Murillo, Hospital de la Caridad, Seville; canvas, H. 11 ft. 7 in. × 8 ft. 10 in. The Saint, sinking to his knees under the weight of a half-naked pauper whom he bears on his back, beholds with awe an angel who assists him to rise. Companion to St. Elizabeth of Hungary. Painted for La Caridad in 1674, and still in original position. Copy by Dauzats in LouisPhilippe sale.—Curtis, 251; Stirling, ii. 855; Davies, Murillo, 81, 94.

JUAN, SHIPWRECK OF DON (Naufrage de Don Juan), Eugène Delacroix, Louvre, Paris; canvas, H. 4 ft. 3 in. × 6 ft. 4 in.; signed, dated 1840. Illustration of Byron's "Don Juan" (Ch. ii. 74-75). Don Juan and his companions in an open boat at sea. Presented to State in 1883 by Mme. Adolphe Moreau, who was once offered 300,000 francs for it. Salon, 1841; Exposition Universelle, 1855. Lithographed by Français; engraved by Desmadryl in l'Artiste.—Robaut, Delacroix, 190.

JUBILEO DE LA PORCIUNCULA. See Francis of Assisi, St.

Payment of Judas, Fra Angelico, Florence Academy.

JUDAS, KISS OF, Ernest Hébert, Luxembourg Museum, Paris; canvas, H. 8 ft. 4 in. × 6 ft. 1 in. Christ, in the Garden of Gethsemane, surrounded by soldiers, one of whom is ready to seize him, whilst another