Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/380

 Melon Market in Cavaillon (1865); Little Thieves (1866); Girl with a Frog (1868); Brotherly Help (1869); Collecting Cocoons in Salon (1870); Departure of a Herd to the Mountains (1872); Returning to the Farm (1873); Grandmother (1875); Walk by the Sea in Provence (1876); Faithful Guardian (1877); Infant and Lamb (1879); Herd in Provence (1880); Sheep at the Drinking Place (1882); Corner of the Fold, Sheep on the Mountain (1883).

JOURDY, PAUL, born in Dijon, Dec. 15, 1805, died in Paris, Oct. 28, 1856. History painter, pupil of Lethière and Ingres; won grand prix de Rome in 1834, and became a painter of merit. Medals: 2d class, 1842; 1st class, 1847; from 1851 till his death he was president of the central committee of artists in Paris. Works: Homer chanting his Verses (1834); Eve Tempted (1836); Girl fastening her Earring (1839), King of Holland; Prometheus Chained (1842), Dijon Museum; Christ with the Doctors (1843), Public School, Bourges; Baptism of Christ (1846), Church of the White Friars, Paris; Good Samaritan (1847), bought by State; Seven Sacraments (1850, fresco), Church of St. Elizabeth, Paris; Woman Bathing (1852); Joys of Peace (1857); Achilles and Scamander, Theseus recognized by his Father, Dijon Museum; Portrait of Nicolas Malebranche, Versailles Museum.—Bellier, i. 841.

JOUVENET, JEAN, born at Rouen, April, 1644, died in Paris, April 5, 1717. French school; history painter, son and pupil of Laurent Jouvenet (1609-81), completed his education in Paris, where he was sent at seventeen, and took Poussin for his model. His picture of Moses striking the Rock won for him the favour and good offices of Lebrun. He became a member of the Academy in 1675, professor in 1681, director in 1705, and rector in 1707. In his old age, having lost the use of his right arm by palsy, he painted the Magnificat, now in Notre Dame, with his left hand. Many of his works have been engraved. Works: Christ healing a Paralytic (1673), Visitation (called Magnificat), Notre Dame; Esther swooning before Ahasuerus (1675), painted for Academy; Christ with Mary and Martha, Christ healing the Sick (1689), Miraculous Draught of Fishes (1706), Raising of Lazarus (1706), Christ driving out the Money Changers (replicas in Lyons Museum and Schwerin Gallery) (1706), Descent from the Cross (1697), Ascension (1711), Pilgrims of Emmaus, Feast in House of Simon, Extreme Unction, View of High Altar in Notre Dame at Paris, Portrait of Fagon—Physician of Louis XIV., Louvre, Paris; Pentecost, Versailles Chapel; Twelve Apostles, Invalides; Isaac blessing Jacob (1692), Presentation (1692), Vision of St. Theresa, St. Cecilia, Death of St. Francis, Apotheosis of St. Luke, Apotheosis of St. John, Annunciation (1685), Ascension (1716), and others, Rouen Museum; others in Grenoble, Nancy, Toulouse, Caen, Nîmes, Mans, Lille, Reims, Rennes, Orléans, and other provincial galleries; St. Peter healing the Sick, Basle Museum; Apollo appearing to Priestess, The Virgin bending over the sleeping Infant Christ, Darmstadt Museum; Portraits of Priests (2), Old Pinakothek, Munich; St. Ann and the Virgin, Uffizi, Florence; Visitation of St. Isabel, Madrid Museum.—Bellier, i. 843; Ch. Blanc, École française; Jal, 709; Revue des Beaux Arts (1859), 357; Larousse; Mémoires inédits, ii. 23.

JOUY, JOSEPH NICOLAS, born in Paris, Sept. 11, 1809. History and battle painter, pupil of Devéria, Lethière, and Ingres. First painted portraits and then several battle pieces for Versailles; has also treated religious subjects. Medals: 3d class, 1834; 2d class, 1835; 1st class, 1839. Works: Portrait of a Young Greek (1833); Combat of Heilsberg (1838), Versailles Mu