Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/374

 Interrupted (1883); Maréchal Niel Rose, York and Lancaster Roses, Lost Chord (1884).

JOPLING, LOUISE, born in Manchester, Nov., 1843. Born Louise Goode; married Mr. Romer (died 1872), Secretary to Baron Nathaniel de Rothschild, Paris, where she studied art under Charles Chaplin in 1867-68; returned in 1868 to England and married second in 1874 Mr. Joseph Middleton Jopling. Exhibited her first picture at Royal Academy, Bud and Bloom, in 1871. Works: Five O'clock Tea (1874); Elaine, Modern Cinderella (1875); Five Sisters of York (1876); Weary Waiting, It might have Been (1877); Pity Akin to Love (1878); Fair Rosamond, Children in the Wood (1881); Phyllis, Ellen Terry as Portia (1882); Daisy, Phyllis, Summer Snow, Saturday Night (1883); Christabel, From my Gondola, Fair Venetian (1884); Little Bo-Peep (1885).

JORDAENS, HANS, the younger, surnamed de lange Jordaens, born in Antwerp about 1595, died there after July 14, 1643. Flemish school; history painter, probably son and pupil of Hans Jordaens, the elder, who entered the guild at Antwerp in 1582, and by whom there is a Banquet Scene in the Dresden Gallery; master of the guild in 1620. Not to be confounded with the different Jordaens of Delft. Works: Crossing the Red Sea, Antwerp Museum; do., Hague Museum; do., Oldenburg Gallery; do. (2, one dated 1624), Berlin Museum; do., Hermitage, St. Petersburg; do., Hampton Court Gallery; do., Pinacoteca, Turin; Art-Cabinet, Vienna Museum.—Meyer, Gemälde d. Köngl. Mus., 223; Riegel, Beiträge, ii. 293; Rooses (Reber), 352.

JORDAENS, JAKOB, born in Antwerp, May 19, 1593, died there, Oct. 18, 1678. Flemish school; history painter, scholar of Adam van Noort, whose daughter he married; received as master in the painters' guild in 1615, and in the following year married Katherine, his master's daughter. Instead of going to Italy, he studied the pictures of the great Italian masters, especially Titian, at home, and becoming intimate with Rubens, assisted him in preparing cartoons for the tapestries of the king of Spain. With a fine feeling for colour and chiaroscuro, great facility and skill in composition, Jordaens wants taste and elevation of style, is often but a vulgar Rubens. In 1641 he built a fine house at Antwerp, where he spent the greater part of his life. Works: Judgment of Solomon, Marriage of St. Catherine, Christ and St John, Meleager and Atalanta, Holocaust to Pomona, Diana's Bath, Family Scene in a Garden, Wandering Musicians, Madrid Museum; Christ driving out the Money Changers, Last Judgment (1653), The Four Evangelists, Infancy of Jupiter, Twelfth Night, As the Old sing so the Young Twitter, Portrait of Admiral Ruyter, Louvre, Paris; Christ and the Pharisees, Distress of the Prodigal, The Apostles, Twelfth Night, Susanna and the Elders, Lille Museum; Visitation, Nativity, Lyons Museum; Miraculous Draught of Fishes, Marseilles Museum; Christ and the Woman taken in Adultery. Rennes Museum; Christ with Martha and Mary, An Elder, Rouen Museum; Last Supper, Sisters of Charity, Entombment, Adoration of the Shepherds, Pegasus, Commerce and Industry protecting the Arts, Human Law based on Divine Law, Lady's Portrait, Museum, Antwerp; Martyrdom of St. Apollonia, Augustine's, ib.; St. Charles Borromeo interceding for the Plague-stricken at Milan, St. James's, ib.; Christ on the Cross, St. Paul's, ib.; St. Martin expelling an Evil Spirit (1630), Allegory on Fertility, Satyr and Peasant, Triumph of Prince Frederik Hendrik of Nassau, Allegory on Vanity, Eliezer and Rebekah, Museum, Brussels; As the Old Sing so the Young Twitter, Arenberg Gallery, ib.; St. Ambrose, Reconciliation, Christ and the Woman taken in Adultery, Ghent