Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/371

 painted in Italy, Paris, Holland, and four years at The Hague. His most popular works are those depicting American life, many of which have been engraved and lithographed. Elected N.A. in 1860. Studio in New York. Works: Old Kentucky Home (1867), R. L. Stuart, New York; Chimney-*sweep, T. R. Butler, ib.; Old Stage-Coach (1871), George Whitney, Boston; Woodland Bath (1873); Prisoner of State (1874); Milton dictating to his Daughter (1875); Husking-Bee (1876); Lullaby (1877); Tender Passion (1859), Spanish Woman (1862), W. T. Walters, Baltimore; Cranberry Harvest—Island of Nantucket (1880); Funding Bill—Portraits of two Men (1881); New England Pedler, In Kind Hands (1884). Portraits: Of a Gentleman (1883), Sir Edward Archibald, England; Dr. McCosh (Alexander Maitland), Hon. C. J. Folger (1884); Hon. William M. Evarts (1885).—Sheldon, 166; Tuckerman, 466.

JOHNSON, FROST, born in New York in 1835. Genre painter, pupil of the National Academy, New York, under Professor Cummings, in 1859; studied at the Düsseldorf Academy, in 1861, at the Antwerp Academy, and in 1863 at the École des Beaux Arts, Paris. Painted under Édouard Frère, at Écouen in 1865-69, and lived for some time in London. Studio in New York. Works: First Whiff; Caught at It: Arithmetic Lesson; Study of an Interior, Les Pommes (1869); Roasted Chestnuts; La Petite Flaneuse, Alvah Hall, New York; Last and Best; The Bouquet—Portrait of Lady Helena Blackwood, Gallery of Earl Dufferin; Neglected Lesson; Love Me, Love Me Not; A Thirsty Party, Good-Night (1876); Young Ornithologist (1879); After Rain (1880); Moorland Landscape (1881).

JOHNSTON, ALEXANDER, born in Edinburgh in 1816. History painter; pupil of Trustees' Academy, Edinburgh, and of Royal Academy, London; first exhibited at Royal Academy in 1838. Works: Gentle Shepherd (1840); Covenanter's Marriage (1842); Highland Home (1843); Tillotson administering Sacrament to Lord Russell (1845), National Gallery; Burial of Charles I. (1847); Trial of Laud (1849); Covenanter's Burial (1852); Tyndale translating Bible (1854);	Abdication of Mary Queen of Scots (1855);	Bunyan in Bedford Gaol (1861); Press Gang Sixty Years Ago (1862); Billet-Doux (1868); Il Penseroso, Juliet (1870); Isaac Watts and his Mother (1871); Turning Point (1873); Bonnie Lesley (1876); Waif (1877); Preparing for Conquest (1878); Reginald (1884).—Ottley; Art Journal (1857), 57; Cat. Nat. Gal.

JOLIVARD, ANDRÉ, born at Le Mans, Sept. 15, 1787, died in Paris, Dec. 8, 1851. Landscape painter, pupil of Bertin. Studied law at Paris, made the campaign of 1813, admitted to the bar in 1816, and then gave himself up to painting. Medal, 1827; L. of Honour, 1835. Works: A Torrent (1819); View of St. Leonard-les-Bois (1834); River winding through a Forest, River Veyre (1839); Torrent in Woods (1844); River Sarthe (1845); View in Brittany (1846); Autumn Evening (1847); Ubaldus and Dunois stopped by Nymphs (1850); Works in Museums at Bordeaux, Lisieux, and Mans.—Bellier, i. 833; Larousse.

JOLLIVET, PIERRE JULES, born in Paris, June 27, 1794, died there, Sept. 7, 1871. History and genre painter, pupil of Gros and De Juinne. Medals: 2d class, 1833; 1st class, 1835; L. of Honour, 1851. Works: Bull-Fight at Madrid, Interior of an Alcalde's House at Madrid (1831); Gitanos halting in the Mountains of Ronda (1833); Brigands of Valencia (1833), Valenciennes Museum; Christopher Columbus discovering America, Quentin Durward (1833); Guerrilla Woman (1834); Trial of Joan of Arc, Byron's Lara (1835); Christ and