Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/366

 Conscience sustaining Duty (1865); Gentleness, Descent from Cross (1866); Bouquet of Roses (1872); Mysteries of Bacchus (1873); The Sea (1878); Electra (1883); Office of Municipal Council of Paris (1885); and many portraits and decorative works.—Bellier, i. 830; Gaz. des B. Arts (1862), xii. 202; (1866), xx. 366, 513; Larousse.

JOCONDE, LA. See Mona Lisa.

JODL, FERDINAND, born in Munich in 1805. Architecture painter, pupil of Domenico Quaglio. Works: Interior of Frauenkirche in Munich; Castle Hohenschwangau, View of Maria Hilf Church, and two other Views in Munich (1828), New Pinakothek, Munich; Interior of Ulm Cathedral; St. Sebaldus in Nuremberg.—Müller, 284.

JODOCUS OF GHENT. See Justus of Ghent.

JOEST, JAN, born probably at Calcar about 1460, died at Haarlem in 1519. History painter, first instructed at Calcar, then formed himself undoubtedly in the school of Haarlem, whence he seems to have returned to Calcar in 1505, and began to paint the great altarpiece in the parish church of St. Nicholas, representing, in twenty panels, the Life, Passion, and Triumph of Christ, containing 216 figures, which was completed in 1508. This shows him to have been a skilful master, trained in the old school of the Netherlands. In all probability he then returned to Haarlem, where he seems to have spent the remainder of his life, and where he was buried in the cathedral of St. Bavon. A Holy Family, attributed to him, is in the Brussels Museum.—Allgem. Zeitg. Oct. 28, 1874; Förster, ii. 156; Hotho, Gesch., ii. 188; Kunst-Chronik, x. 74; Wolff, Die Nicolaipfarrkirche zu Calcar (Calcar, 1880), 17, 58; W. & W., ii. 492; Zeitschr. f. b. K., xi. 339, 374.

JOHANN VON KÖLN, German school, 15th century. History painter, joined the brotherhood of Agnetenberg, near Zwoll, in 1440; was an artist of much inventive power. Work, Adoration of Magi, Berlin Museum.—Allgem. d. Biogr., xiv. 460; Merlo, Nachrichten, 219.

JOHANNOT, (CHARLES HENRI) ALFRED, born at Offenbach on the Main, March 21, 1800, died in Paris, Dec. 7, 1837. History painter, brother and pupil of the engraver Charles Johannot (1788-1825). First known as an engraver of the works of Ary Scheffer and Vernet. His pictures are distinguished for their good colour and careful elaboration of detail. Gold medal, 1831. Works: Arrest of Jean de Crespierre (1831); Entry of Mlle. de Montpensier into Orléans during the War of the Fronde, Announcement of the Victory of Hastenbeck (1833); Francis I. and Charles V. (1834); Cromwell, Mme. d'Ancre (1834); Henry II. and Catherine de Medicis with their Children, The Courier Verner bled by the King (1835); Mary Stuart leaving Scotland (1836); St. Martin giving away Half of his Cloak; Anne of Este arriving at Court of Charles IX. (1837); The Battle of Brattelen, 1444 (1838), Battle of Rosebecque, 1382 (1839), Funeral of the Victims of July 28, 1835, Versailles Museum.—Bellier, i. 831; Ch. Blanc, École française, iii.; Lenormant, Beaux Arts, i. 233; Meyer, Gesch., 435; Nouv. biog. gen., xxvi. 785.

JOHANNOT, TONY, born at Offenbach on the Main, Nov. 9, 1803, died in Paris, Aug. 4, 1852. History painter, brother and pupil of Alfred, whom he assisted in engraving the illustrations to the works of Walter Scott, Cooper, and Byron. Though somewhat weak in drawing, his first Salon pictures (1831) were attractive and solid in execution. Works: Woman giving Soldier a Drink (1831); Death of Duguesclin (1835); Battle of Fontenay (1837), Battle of Rosebecque (1839), Versailles Museum; Boyhood of Duguesclin (1840); The Siesta, Halt, Louis VII. forcing the Passage of the Meander (1841), Versailles Museum; Louis