Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/364

 *ed as a peasant girl, standing under the trees, gazing upward with a rapt expression; behind, in the clouds, are spectral figures illustrating different phases of her career. Never engraved.

By Sir John Everett Millais, Bart., W. C. Quilter, Esq., M.P.; canvas, H. 2 ft. 7 in. × 2 ft. Represented at the crisis of her fate, clad in armour, and kneeling. Royal Academy, 1865.

JOAN OF ARC AT CORONATION OF CHARLES VII., Pierre Charles Comte, Reims Museum. As the king, crowned and with his sceptre, descends the steps of the altar, in the midst of the cardinals, bishops, and dignitaries of the realm, Joan, wearing a cuirass and a white mantle, and bearing the Oriflamme, kneels to him. Salon, 1861; Universal Exposition, 1867.—Larousse, vi. 114.

By Dominique Ingres, Versailles Museum. Standing on the steps of the altar of the Cathedral of Reims, in full armour, bearing in one hand the Oriflamme and pointing with the other toward the altar; behind her stands Doloy, her esquire, Paquerel, her confessor, and some pages. The coronation scene is out of sight of the spectator. Painted in 1854.—Larousse, vi. 114.

JOAN OF ARC IN PRISON, Paul Delaroche, Duke of Padua; canvas, H. 8 ft. 7 in. × 6 ft. 10 in. Joan, lying upon a pallet in a prison cell, with chains on her wrists and her hands clasped, is interrogated by the Bishop of Winchester, seated in an arm-*chair; behind him a clerk, standing, records her answers in a book. Salon, 1824. Engraved by Reynolds.—Annales du Musée (1824), i. Pl. 32; Larousse, vi. 114.

Joan of Arc in Prison, Paul Delaroche, Duke of Padua.

JOANES, VICENTE, born in Fuente de la Higuera, Valencia, in 1523-24, died in Bocairente, Dec. 21, 1579. History and portrait painter; real name Vicente Juan Macip; called also Juan de Juanes. Studied in Rome, probably under the disciples of Raphael, of whose style he was one of the ablest imitators. Painted chiefly religious compositions, but was famous for his portraits. On his return from Italy he opened a school at Valencia, where he spent most of his life. Works: Life of St. Stephen (5 pictures), Last Supper, Visitation, Martyrdom of St. Agnes, Coronation of the Virgin, Ecce Homo, Saviour of the World, Melchisedec, Aaron as High Priest, Christ bearing his Cross, Christ with the Host, Descent from the Cross, Christ in the Garden, portrait of Don Luis de Castelvi, Madrid Museum; Baptism of Christ, Conversion of St. Paul, St. Thomas of Villanueva, Cathedral, Valencia; Conception, Jesuits' Church, ib.; Assumption, Museum, ib.; Visitation of Mary, Carlsruhe Gallery; Death of the Virgin, Dresden Gallery; St. Anna, St. Dominic, Hermitage, St. Petersburg.—Stirling, i. 354; Viardot, Peintres de l'Espagne, 83; Washburn, 39; Ch. Blanc, École espagnole.

JOANNA OF ARAGON, portrait, Raphael, Louvre; wood, transferred to canvas, H. 4 ft. × 3 ft. 3 in. Daughter of Ferdinand of Aragon, Duke of Montalto, and grand-*daughter of Ferdinand I., King of Naples, married to Ascanio Colonna, Prince of Tagliacozzo; one of the most famous wits and beauties of the sixteenth century. Seated