Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/362

 to Mr. Hart Davis for £6,000, and finally presented to National Gallery. Engraved by G. Bonassone.—Waagen, Treasures, i. 330; Vasari, ed. Mil., v. 224; Richter, 64.

JERRIGH, E., born in Flanders, 16th century. History and portrait painter, studied in Antwerp, and spent the greater part of his life in Cologne, where he stood in high repute, and where Johann von Achen was apprenticed to him in 1568. Work, Annunciation (1601), Cologne Museum.—Merlo, Nachrichten, 211; Van Mander, ii. 134.

JERSEY LILY, Sir John Everett Millais, H. Martyn Kennard, Esq., England; canvas, H. 3 ft. 6 in. × 2 ft. 9 in. Portrait of Mrs. Langtry, three-quarters length, three-quarters view to left, in a black silk dress. Royal Academy, 1878. Engraved by T. O. Barlow.

JERUSALEM, DESTRUCTION OF, Wilhelm von Kaulbach, New Museum, Berlin; mural painting, staircase hall. Above the burning Temple appear in the clouds the prophets of the Old Testament, while Titus enters the destroyed city; the High Priest, standing among the flying multitude, kills himself; at left, demons flogging the Wandering Jew; at right, a congregation of Christians peacefully leaving the city.

JERVAS, CHARLES, born in Ireland about 1675, died in London, Nov. 2, 1739. Pupil of Sir Godfrey Kneller, and a pleasing painter in the vigorous style of the school to which he belonged. A Dr. Clark, for whom he copied Raphael's Cartoons in little, sent him to France and Italy to study art. After his return he married a rich widow, frequented the society of Pope and Addison, and filled the office of court-painter to George I. and George II. He paid a second visit to Italy the year before his death. His portraits of Queen Caroline, Pope, and Martha Blount, the Duchess of Queensbury, and Dean Swift, are in the National Portrait Gallery. There is a second portrait of Pope by him at Lansdowne House, and one of Newton at the Royal Society.—W. B. S. Taylor, Fine Arts in Great Britain and Ireland; Redgrave.

JESUS, HISTORY OF, Sistine Chapel, Vatican; a series of frescoes on the right wall, each having a typical reference to a corresponding picture opposite, from the life of Moses. 1. Baptism of Christ, by Pietro Perugino. 2. The Temptation, or Christ overcoming the Power of Satan, by Sandro Botticelli. 3. Calling of the Apostles from the Lake of Gennesareth, by Domenico Ghirlandajo. 4. Christ preaching on the Mount, by Cosimo Rosselli. 5. Christ's Charge to Peter, by Pietro Perugino. 6. Last Supper, by Cosimo Rosselli. 7. Resurrection, by Domenico Ghirlandajo.—Kugler (East-*lake), i. 230.

By Raphael. See Raphael's Bible.

JESUS, SLEEP OF, Annibale Carracci, Louvre; canvas, H. 1 ft. 3 in. × 1 ft. 6 in. The Virgin sustains Jesus, who is sleeping upon a table covered with a cloth, and makes a sign to St. John, who is about to touch the Child, not to disturb him. Collection of Louis XIV. Engraved by E. Picart (1681); Poilly; Reindel; Richomme; Hainzelmann.—Musée royal, i.; Filhol, iv. Pl. 242; Landon, Musée, ii. Pl. 22.

By Bernardino Luini, Louvre; wood, H. 3 ft. 3 in. × 2 ft. 4 in. The Virgin, standing, with Jesus asleep in her arms; at left, an angel offering a cloth to cover him; behind, two other angels, one holding a roll, the other a cushion. Collection of Louis XIV. Attributed formerly to Solario and to school of Leonardo da Vinci.—Villot, Cat. Louvre.

JETTEL, EUGEN, born at Johnsdorf, Moravia, March 20, 1845. Landscape painter, pupil in Vienna of Albert Zimmermann; travelled in France, Italy, and Hungary, and has for some years worked in Paris under the influence of the modern French school. Gold medal in Munich (1869). Works: Wood Landscape in the Ramsau; Hintersee (1869), Vienna Academy; Mountain Forest, View near Dieppe (1870); Herd by the