Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/354

 Angel, Brunswick Gallery; Diana, Cassel Gallery; St. Cecilia, Christ as Saviour, The Four Roman Fathers of the Church, Cologne Museum.—Ch. Blanc, École flamande; Cat. du Mus. d'Anvers (1874), 213; Immerzeel, ii. 80; Kramm, iii. 796; Michiels, viii. 306; Riegel, Beiträge, ii. 54; Rooses (Reber), 156; Van den Branden, 478.

JANSSON, KARL EMANUEL, born at Finnström, Åland, July 7, 1846, died there, June 1, 1874. Genre painter, pupil at Åbo of Ekman and in Stockholm of Boklund (1862-68), then until 1870 at Düsseldorf of Vautier. Medal, Vienna, 1873; member of St. Petersburg Academy. Works: Courtship in Åland; A Copper in the Contribution Box; Ace of Clubs.—Taflor.

JAPY, LOUIS AIMÉ, born at Berne (Doubs); contemporary. Landscape painter, pupil of François. Medals: 1870; 3d class, 1873. Works: Before the Storm; Valley of Nantuis; Twilight; Spring Landscape (1873), Corcoran Gallery, Washington; Aurora, Spring-time in the Mountains, A River (1874); Spring-time in the Valley of the Somme, In the Woods in April (1878); End of April, Valley of the Lomont (1879); On the Plain at Villers Cotterets (1880); Autumn Evening (1881); A Morning in May, October Evening (1882); Moonrise, The Shepherd and the Sea (1883); After the Storm, Morning in May (1884); Pools of Beauval, Summer Evening (1885).

JARDIN, KAREL DU, born in Amsterdam about 1625, died in Venice, Nov. 20, 1678. Dutch school; landscape and animal painter, pupil of Berchem, and perhaps of Paul Potter, whose style he adopted. Visited Rome early, and there conceived a preference for Italian scenery. On his return from Italy settled at The Hague, where in 1656 he was one of the founders of the new guild Pictura; removed to Amsterdam in 1659, whence, after 1670, he went to Rome, and thence to Venice. He painted also domestic scenes, portraits, and historical subjects. His Italian landscapes are harmoniously treated. His animals are true to nature and well drawn. His large figures are extremely weak. Works: Figures and Animals Resting (1656), Fording the Stream (1657), Landscape with Cattle, Sheep, and Goats (1673), National Gallery, London; Landscapes (4), Buckingham Palace; do. (1), Bridgewater Gallery; do. (2), Lord Ashburton; do. (2), Mr. Hope's Collection, London; Halt of Horsemen at Italian Inn, Farrier's Shop, National Gallery, Edinburgh; Calvary (1661), Italian Charlatans (1657), Landscapes and Cattle Pieces (6), Male Portrait, Louvre; Italian Landscape (1673), Woman Spinning, Hague Museum; Peasant winnowing Corn (1655), Regent-piece (1669),	Artist's Portrait (1660), Horseman before Inn, Muleteers, Male Portrait, do. (1670),	Landscapes (2), Amsterdam Museum; Italian Landscape, Rotterdam Museum; Vanguard, Returning to Stable, Brussels Museum; Stirrup Cup, Basle Museum; Dog and Horse Studies (2), Christ on the Cross, Musée Rath, Geneva; Portrait of Young Man (1652), Tasting Wine (1664), Morning, Evening, Berlin Museum; David after slaying Goliath, Brunswick Museum; Shepherdess Spinning, Carlsruhe Gallery; Mountebank with Dogs, Cassel Gallery; Allegory on Human Life (1663), Copenhagen Gallery; Peasants and Shepherds with Sheep and Goats(?), Darmstadt Museum; Diogenes and Boy, Maid milking Goat, Ox and Goats, Dresden Museum; Shepherd Boy with Goats and Sheep, Sick Goat attended by Girls, New Pinakothek, Munich; Parody on Art Criticism (1677), Animal Piece, Schwerin Gallery; Landscapes with Animals and Figures (2), Stuttgart Museum; Herd and Boy, Vienna Museum; Landscapes with Cattle (7), Hermitage, St. Petersburg; Portrait, Land