Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/337

 The Inn (L'Estaminet), Jan Steen, Hague Museum.

INNESS, GEORGE, born at Newburgh, N. Y., May 1, 1825. Landscape painter, pupil for one month of Regis Gignoux; has visited Europe three times for study, the last time in 1871-76. Elected an A.N.A. in 1853 and N.A. in 1868. Studio in New York. Works: American Sunset (1867); Joy after the Storm (1869); Twilight (1870); View near Rome (1871); Scene near Perugia (1874); Pontine Marshes, H. P. Kidder, Boston; Mountain Stream, the Homestead (1877); St. Peter's—Rome, View near Medfield—Mass., The Afterglow, Morning Sun, Landscape (1878); Spring (1881), Old Roadway, Long Island Historical Society; Niagara Falls (1883); Day in June, Sunset (1885); Gray Lowery Day—Pompton, N. J., Winter Morning—Environs of Montclair, Sun-*burst—Greene County, Sunset—Montclair, N. J., Twilight—Medfield, Mass. (1884),	T. B. Clarke, New York.

INNESS, GEORGE, JR., born in New York, July 5, 1854. Animal painter, pupil of his father, George Inness, and for a few months of Bonnat in Paris. Sketched in different parts of Europe. Studio in Montclair, N. J. Works: The Ford, Patience (1877);	The Brook, Pride of the Dairy (1878);	Coming Storm; Surf Horse; Pasture at Watchung (1879), Roswell Smith; Coming Storm (1880); Huntsman (1882); Mother of the Herd (1883).—Sheldon, 203.

INNOCENT X., POPE, portrait, Velasquez, Palazzo Doria, Rome; canvas, H. 4 ft. 7 in. × 3 ft. 11 in. Three-quarters length, seated in a crimson chair, on the arms of which his arms rest; dress, a white linen robe, white sleeves trimmed with lace, white linen collar, red velvet cap and cape; background, a red curtain. Painted in Rome in 1649. Sir Joshua Reynolds pronounced this the finest picture in Rome. Repetition: Marquis of Bute, London. Etched by A. Lalauze after copy by Ternante in Versailles Museum.—Palomino, iii. 337; Curtis, 76.

INNOCENZO DA IMOLA. See Imola.

INTEMPERANCE, Thomas Stothard, staircase of Burghley House, seat of the Marquis of Exeter, Northamptonshire, England. Mark Antony and Cleopatra, with various allegorical figures. The original sketch (canvas, H. 1 ft. 8 in. × 2 ft.), which was engraved by T. Chevalier, is in the National Gallery, London. Stothard was occupied four years in the decoration of this staircase (1780-83), and received for it £1,293.—Mrs. Bray, Life of T. S. (London, 1851).

IPHIGENIA, picture. See Timanthes, Timomachus.

IPHIGENIA AND CYMON. See Cymon.

IPHION, painter of Corinth, date uncertain. Mentioned by Simonides (ccxxi., Schneidew), but whether the elder (died about 468 ) or the younger (died about 431 ) poet of that name is unknown.