Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/334

 Battle of Cernaia; Entry of King of Italy into Venice; Dancing Lesson in Last Century; Domestic Scene; Amateur of Antiquities (1873); Savoyard Woman (1878); Emigrants, Italy in 1866 (1878); Visit of Garibaldi to Victor Emanuel at Rome in 1875, Dear Remembrance, Il marito gentil queto sorride (Parini), Souvenir of Rome, Brera, Milan; Sentinel, Fondazione Poldi-Pezzoli, ib.—L'lllustrazione ital. (1876); Gaz. des B. Arts (1867), xxiii. 224; Wurzbach, x. 205; Zeitschr. f. b. K., iii. 125; x. 288.

INFIDELITY, Paolo Veronese, Cobham Hall, England; canvas, 5 ft. 10 in. sq. A woman, nude, seated between two men, to one of whom she gives her hand while putting a letter into the hand of the other; below, two cupids. From collection of Queen Christina of Sweden to Orleans Gallery; valued at sale in 1793 at £150, sold for 46 guineas. Engraved by S. Vallée.—Waagen, Treasures, ii. 499; iii. 20; Cab. Crozat, ii. Pl. 28; Ch. Blanc, École vénitienne.

INGANNI, ANGELO, born at Brescia in 1807. Architecture painter, member of Milan Academy; lives at Brescia, and enjoys reputation in North Italy. Works: View of Cathedral and Square at Milan (1839), Vienna Museum; Harbor of Como (1846); Piazza Fontana, Piazza Borromeo (1847); Arco della Costa in Verona (1851); Façade of Milan Cathedral (1852); Municipal Palace at Brescia (1857); Blessing the Weather (1858).—Wurzbach, x. 206.

INGEGNO, L', born in Assisi, flourished end of 15th and early part of 16th century. Umbrian school. Real name Andrea Luigi, Alovigi, or Lovigi, but called L'Ingegno (the Cunning), on account of his pictorial ability and his versatility. Vasari's account of him is full of errors. He was more probably the pupil of Niccolò Alunno, who opened a school at Foligno in 1460, than of Perugino, whose school at Perugia did not begin until about 1499, and is first heard of in 1484, painting coats-of-arms in the Council Hall and on the city gates of Perugia. He was proctor in 1505, justice in 1507, assistant in 1510, and Papal cashier in 1511, under Pope Julius II. His name is attached to several pictures in European galleries, evidently painted by a master who was at the school of Fiorenzo di Lorenzo, and a companion of Pinturicchio.—C. & C., Italy, iii. 161; Vasari, ed. Mil., iii. 595, 617; Burckhardt, 566; Rumohr, Italienische Forschungen, ii. 324; iii. 29; Kunstblatt (1821), No. 73; (1837), 94.

INGENMEY, FRANZ MARIA, born at Bonn in 1830, died in Düsseldorf, June 3, 1878. Genre painter, pupil in Munich of Correns, then studied in Düsseldorf. Works: Blind Fiddler and his Child; After the Storm; Bad Tobacco; Barred Way Home; Poaching; Study in the Woods; Dream-King and his Love; Surprise, Cinderella; Uninvited Guests.—Kunst-Chronik, xiii. 598.

INGHAM, CHARLES CROMWELL, born in Dublin, Ireland, in 1796, died in New York in 1863. Figure and portrait painter, pupil of Dublin Academy; went to the United States in 1817, and soon acquired reputation by his portraits of the reigning beauties of New York, where he was one of the founders of the National Academy of Design, and for years its vice-president. Works: Death of Cleopatra: Flower Girl; Day Dream; The Black Plume, Portrait of Lafayette (1825), do. of Gulian C. Verplanck (1830), Historical Society, New York.

INGHIRAMI, TOMMASO (Phædra), portrait, Raphael, Palazzo Pitti, Florence; wood, H. 2 ft. 11 in. × 2 ft. Half-length, without beard, in a cap and red dress, sitting, pen in hand, behind a table, on which are an inkstand, a book, and a casket. He was Secretary to the Conclave; called Phædra, because, having once taken part in the performance of Seneca's Hippolytus, he improvised some Latin verses about Phædra to avert a panic when the theatrical machinery gave way. Painted in Rome about 1513; carried to Paris in 1799; returned in 1815. Replica in Casa Inghirami, Volterra. Engraved by Theo. della Croce; T. Vercruys; Ferrerii; Bardi.—Gal. du Pal. Pitti. i. Pl. 93; Müntz, 276; Passavant, ii. 137; Spring