Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/317

 the National Academy, New York, in 1863. Visited Paris in 1874, and studied six years under Cabanel, and at the École des Beaux Arts. Elected N.A. in 1882. Studio in Plymouth Meeting, Pa. Works: Two Lilies (1874); Brittany Woman Spinning, Pleasant News, Image-Seller (1876); Thinking of Somebody, News from the Conscript (1877); Loyalist Peasant Soldier of La Vendée—1793 (1878); Breton Interior—1793 (1878), G. A. Drummond, Baltimore; Challenge (1879); Dat 'Possum smell pow'ful Good (1881), Chloe and Sam (1882), T. B. Clarke, New York; Elaine (1882); In from the Meadows, Village Blacksmith (1883); Who shall eat the Fruit thereof? John Brown (1884); Taking his Ease (1885).—Sheldon, 189.

HOWARD, GEORGE, born in England; contemporary. Landscape and portrait painter. Exhibits chiefly at Grosvenor Gallery. Works: Pine Wood near Pisa, San Gimignano, Near the Torre dei Riccardi (1877); Rest in the Perjola, Path among Olives, Olive-Gathering on the Riviera (1878); Crab-Fishers, Venetian Archway (1879);	Banks of Irthing—Cumberland, Walled Garden—Naworth (1880); Curlew's Pool, Autumn Twilight, By the Beck, Start Point—South Devon (1881); Path under the Olives—Bordighera (1882); Vale of Mentone, Autumn in the Old Garden (1883); Walls of Rome from Villa Medici, Rookery in Spring (1884); The Gatehouse—Naworth (1885).

HOWARD, HENRY, born in London, Jan. 31, 1769, died at Oxford, Oct. 5, 1847. History and portrait painter, pupil of Philip Reinagle and of the Royal Academy (1788), where in 1790 he won the two first medals of the year. Studied in 1791-94 in Italy, and afterwards contributed many subject pictures and portraits to the Academy; became an A.R.A. in 1801, R.A. in 1808, secretary in 1811, and professor of painting in 1833. Though distinguished by Academy honours, the promise of his youth was not fulfilled; his works are graceful and pretty, but his style is feeble. His Flower Girl, a portrait of his own daughter, is in the National Gallery, London.—Redgrave; F. de Conches, 435; Frank Howard, Memoir (1848); Sandby, i. 329.

HOWLAND, ALFRED C., born in Walpole, N. H., Feb. 12, 1838. Genre and landscape painter, pupil of Schultz and of Eppindale in Boston; in 1860 visited Europe, and studied five years, in Düsseldorf under Professor Flann, and in Paris under Lambinet. Elected an A.N.A. in 1874, and N.A. in 1882. Studio in New York. Works: Sunlit Path (1871); Old Mill on the Bush-*kill (1874); Ford's Glen (1878); Monday Morning (1879); The Gossips (1880); Driving a Bargain (1882); Horse-Trade (1883); Rendezvous of the Veterans, A Pot-Boiler (1884); The Coming Circus (1885).

HOYE (Hoey), NICOLAAS VAN, born at Antwerp in 1626, died in Vienna in 1710. Flemish school; history, battle, and portrait painter, pupil of Matheus Matheusz; went to Vienna, where he became court-painter. Works: Battle-pieces (2), Vienna Museum; Physician making Examination, Fürstenberg Gallery, Donaueschingen.—Kramm, iii. 707.

HUBBARD, RICHARD WILLIAM, born at Middletown, Ct., in 1817. Landscape painter, pupil of Professor Morse and Daniel Huntington. Studied and painted in France in 1840. Elected N.A. in 1858. Studio in New York. Works: Meadows near Utica (1869); High Peak—North Conway (1871); Vermont Hills (1874); Along the Sound (1877); Autumn—Lake George, C. P. Huntington, New York; Coming Storm, Early Autumn, Judge Benedict; Glimpse of the Adirondacks (1876), R. M. Olyphant; Hilltop (1878); Connecticut Pastoral (1880); Distant View of Hartford (1882); Lake in the Adirondacks (1883); Cat Mountain—Lake George, Afternoon in