Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/263

 and member of Berlin Academy, 1885. Medal of Honour, Paris, 1878. Paints in both oil and water-colours, and is one of the best living etchers. Many of his drawings have appeared in the Graphic. Works in oil: After the Toil of the Day (1873); Last Muster—Chelsea Hospital (1875); At Death's Door (1876); Der Bittgang, Who Comes Here? Souvenir of Rembrandt (1877); Eventide (1878); Life, Light, and Melody (1879); Wind-Swept, God's Shrine (1880); Missing (1881); Gloom of Idwal, Homeward (1882); Natural Enemies (1883); Pressing to the West—Scene in Castle Garden, N. Y. (1884); Found, Grave-Digger's Firewood, First Warmth of Spring, Bavarian Forester, Old Peasant Woman (1885). Water-colours: Im Walde (1874); Wood-Cutter's Rest; Poacher's Fate; At the Well. Portraits: Richard Wagner (1878); Alfred Tennyson (1879); Lord Stratford de Radclyffe, Odell the Actor (1880); John Ruskin (1881); Richard Oakes, Lorenz Herkomer, Archibald Forbes (1882);	Viscount Eversley; Dr. A. B. Garrod; Hans Richter (1883); Canon Ellison, Canon Bradley, Canon Furse, Lord Brabourne (1884); Owen Grant, C. Villiers Stanford, William Sandbach (1885).—Art Journal (1878), 141; (1880), 109; (1882), 238; Portfolio (1882), 81.

HERLEN (Herlin, Herlein, Hörlin), FRIEDRICH, born at Rothenburg or Nördlingen, Bavaria, died at Nördlingen, Oct. 12, 1491. German school; probably son of the painter Hans Herlen, of Nördlingen, about 1442-76. He lived in Ulm in 1449-54, then went to Flanders, where Roger van der Weyden, whom he closely imitated, was probably his master, and after his return was employed in Nördlingen, perhaps as early as 1459, but certainly in 1462-63, then in Rothenburg and Dinkelsbühl in 1466-67, then settled in Nördlingen. A noteworthy master, though limited in his range and in no sense original. Works: Madonna, Circumcision (1459), National Museum, Munich; Adoration of the Magi, St. Ottilia (1459), sixteen Panels with Life of the Virgin (8), Legend of St. George (3), Story of Magdalen (2), Ladies of Donor's Family and Saints (2) (1462), Madonna enthroned and Saints (1488), Town Hall, Nördlingen; Panels on Shrine with Passion of Christ (4) and Last Judgment (4) (1462), St. George's, ib.; Altarpiece with Life of the Virgin (1466), St. James's, Rothenburg; Nativity, Adoration of the Magi (1472), St. Blasius', Bopfingen; Marriage of St. Catherine, Germanic Museum, Nuremberg.—Allgem. d. Biogr., xii. 115; Förster, Gesch., ii. 18, 187; do., Denkmale, XII. ii. 2; iii. 3; Grüneisen & Mauch, 37; Kugler (Crowe), i. 138; D. Kunstblatt (1854), 187; Schnaase, viii. 407; Waagen, K. u. K. in D., i. 324, 347; W. & W., ii. 112; Zeitschr. f. b. K., iii. 37.

HERLIN, AUGUSTE, born at Lille, Aug. 18, 1835. Genre painter, pupil of Souchon; paints subjects from every-day life with spirit and humour. Works: The Wafer, Beating Colza, The Alloir (1861); Washer-*woman, The Pleasure-Trip (1863); Visiting One's Colleague, Burial of a Pauper (1866); The Lotion (1867); Amusing their Little Brother, A Pond (1868); Time for the Interview, Returning from the Fields (1869); The Interview, The Parade (1870); Going to Harvest, Lake Evian, Souvenir of Dinard (1874); A Vision, Woman of Lille, Hour for Walking (1875); Stella Maris, Affair of Honour (1876).—Müller, 253.

HERMANN, KARL HEINRICH, born in Dresden, Jan. 6, 1802, died in Berlin, April 30, 1880. History painter, pupil of the Dresden Academy under Hartmann, then from 1822 in Düsseldorf under Cornelius, who entrusted him with important fresco works in Munich and (1840) Berlin, where in 1844 he became professor at the Academy. Works: Theology, Bonn University; Scenes from Parcival (1834), Königsbau, Munich; Victory of Louis the Bavarian at Ampfing, Arcades, Royal Garden, ib.; Ascension (1835), Protestant Church, Munich; Patriarchs, Prophets, Evangelists, Apostles