Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/246

 Honour, 1861; Officer, 1881. Works: Titian the Younger with his Lady Love (1857), Ravené Gallery, Berlin; Luca Signorelli by the Dead Body of his Son (1859), Orphans, Watteau and his Sweetheart, Male Portrait, Kunsthalle, Hamburg; Absolution in St. Peter's; The Mont-de-Piété (1861), Luxembourg Museum; On Monte Pincio, Corcoran Gallery, Washington; In His Eminence's Waiting Room; Cardinal entering his Carriage; Spring-time; On the River-side, In the Fields, William Astor, New York; The Seine; Fine Weather (1881); Idlers in Anteroom of the Vatican (1882); Promenade (1884); Lawn-tennis, Presentation (1885).—Meyer, Conv. Lex., xvii. 443; Quarterly Rev., i. 253.

HEILMAYER, KARL, born in Munich, March 5, 1829. Landscape painter, son of the portrait and landscape painter Emil H., pupil of Munich Academy; travelled extensively in Germany, Italy, and France. Works: Foggy Morning on Lake Starnberg; Moon-*light Night in Normandy; The Lido in Venice; View on Via Appia near Rome; Smugglers crossing Mountain, New Pinakothek, Munich.—Müller, 246.

HEIM, FRANÇOIS JOSEPH, born at Belfort, Jan. 15, 1787, died in Paris, Oct. 20, 1865. History painter, pupil of Vincent, won grand prix in 1807, and lived in Rome about six years. With the rise of the romantic school he lost his popularity, and was called by the critics the fossil of the Academy, but his merits were again recognized at the Salon of 1855. Medals: 1st class, 1812; Member of Institute, 1829; Professor, 1831; L. of Honour, 1825; Officer, 1855; grand medal of honour, 1855. Works: Arrival of Jacob in Mesopotamia (1812), Bordeaux Museum; Ptolemæus Philopator (1817), Amiens Museum; Joseph's Coat brought to Jacob (1817), Lyons Museum; Raising of Lazarus, Titus pardoning Conspirators; Martyrdom of St. Cyr and of St. Juliet (1819), St. Gervais, Paris; Martyrdom of St. Hippolytus, Notre Dame, Paris; Rescue of King of Spain; Capture of Temple of Jerusalem (1822); St. Hyacinth reviving a Drowned Person (1827), Notre Dame, Paris; Charles X. distributing Rewards to Artists at Exhibition of 1824 (1827), Louvre; Andrieux reading in the Lobby of the Comédie-française (1847); Defence of Burgos, Louis Philippe receiving the Deputies come to offer him the Crown (1834), do. receiving the Chamber of Peers, Champ de Mai of 1815, Battle of Rocroy, Portraits of Marquis de Chamilly, Duc de la Fertè, Comte d'Estrades, Marquis de Bournonville, Versailles Museum; Vesuvius receiving Heavenly Fire from Jupiter, The Revival of the Arts, ceilings in Louvre; Charlemagne causing his Capitularies to be read, Louis the Fat freeing the Towns, St. Louis causing the Publication of his Ordinances, Louis XII. organizing the Chamber of Accounts, Defeat of the Cimbri and Teutons (1853), Palais Bourbon; Victory of Judas Maccabæus (1855); Subject from History of the Jews (1824).—Bellier, i. 751; Larousse; Gaz. des. B. Arts (1867), xxii. 40; Meyer, Gesch., 167.

HEIMERDINGER, FRIEDRICH, born in Altona, Jan. 10, 1817, died in Hamburg, Oct., 1883. Animal and still-life painter, pupil of Düsseldorf Academy under Theodor Hildebrandt; continued his studies in Munich, whence he visited Switzerland. He afterwards founded a preparatory school for artists in Hamburg. Works: Foxes contesting Booty (1848), Kunsthalle, Hamburg; Scene from Elf Life (1860); Lurking Fox (1861); Nut-Cracker (1871); Plover (1875); Rabbit and Frog; Fen-Duck; Fruit-Seller.—Kunst-Chronik, xviii. 9; Müller, 247.

HEINE, WILHELM, born in Düsseldorf, April 18, 1813, died June 29, 1839. Genre painter, pupil of Düsseldorf Academy, and an artist of great promise at the time of his premature death. Works: Poachers, Smuggler (1834); Tramp (1835); Peasant Cottage (1836); Criminals at Church (1837), Leipsic Museum; replica (1838), National Gallery, Berlin.—W. Müller, Düsseldorf K., 289.