Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/242

 among the Arabs (1852); House in Chambaudoin; The Pit-Sawyer (1855); Hunting, Fishing, The Gleaners (1857), Luxembourg Museum; A Sower at Chambaudoin, A Swineherd (1859); Spanish Porters (1861); The Sheep-Market at St.-Jean-de-Luz (1863), Valenciennes Museum; Sardine Women of Fontarabia, Allée des Tuileries (1865); Hunting, Fishing (1866); Restaurant in Constantine (1868); Door of a Mosque in Constantine, Street of Fontarabia (1870); Woman of St.-Jean-de-Luz going to a Funeral (1872); Spring-Time, Corner of a Park in the Month of May (1873); Interior of a Courtyard in Constantine (1874); Swine Market at St.-Jean-de-Luz (1875); Country Woman (1876); Arabs in a Tent (1879). Decorative paintings in Galerie des fêtes, Palais royal (1861), and Theatre français.—Bellier, i. 749; Du Camp, B. Arts, 170; Meyer, Gesch., 636; Vapereau (1880), 920.

HEEM, CORNELIS DE, born at Leyden (baptized ?), April 8, 1631, died in Antwerp, buried May 17, 1695. Dutch school; still-life painter, son and pupil of Jan Davidsz de Heem, whom he followed to Antwerp about 1635, and there became master of the guild in 1660; worked also at The Hague, where he is mentioned in documents in 1676 and 1678. There is little doubt that many of his works pass under the name of his famous progenitor. Works: Fruit-piece (1671), Brussels Museum; do., Th. van Lerius, Antwerp; do., Hague Museum; do., Rotterdam Museum; Grapes (1659), Bouquet, Carlsruhe Gallery; Fruits with Vessels, Musical Instruments and Globe, Cassel Gallery; Cupboard, Gotha Museum; Fruit-piece, Oldenburg Gallery; do., Cassel Gallery; do., Berlin Museum; do., Schleissheim Gallery; do., Leipsic Museum; do., Weimar Museum; do. (2), Old Pinakothek, Munich; Flowers around Bumper, Fruits and Oyster, do. and Glass, Fruits and Lobster, Dresden Gallery; Fruits and Oysters on Silver Tray, Museum, Vienna; others in Liechtenstein and Czernin Galleries, ib.; Fruit-piece, Fruits and Flowers (2), Schwerin Gallery; Flower-pieces (2), Stockholm Museum.—Kramm, iii. 651; Rooses (Reber), 432; Van den Branden, 870; Van Lerius, 249.

HEEM, DAVID DE, the elder, born at Utrecht in 1570 (?), died at Antwerp (?) in 1632 (?). Dutch school; still-life painter of distinction, of whose life nothing is known, and some of whose works are possibly attributed in public galleries to his famous son, Jan. As, however, there were besides him three other painters called David de Heem, namely, his son, David the younger, master of the guild at Utrecht in 1668, and to whom is ascribed a Fruit-piece in the Amsterdam Museum; David III. (born in 1628), son of Jan Davidsz; and David IV. (1663-1718), son of Cornelis, it is difficult to determine to which of these the following works should be assigned: Fruits with Oysters and Wineglass (David the elder?), Brunswick Museum; Fruits on Table, small picture with cavern, Flower-piece, Uffizi, Florence.—Kramm, iii. 652; Riegel, Beiträge, ii. 439; Van Lerius, i. 213, 217.

HEEM, JAN DAVIDSZ DE, born at Utrecht, probably in 1600, died in Antwerp, between Oct. 14, 1683, and April 26, 1684. Dutch school; fruit and flower painter, son and pupil of David the elder. He first developed the art of fruit painting; works distinguished for admirable taste of arrangement, excellent drawing, fine feeling for nature, and a depth and richness of colouring sometimes approaching Rembrandt. Works: Fruit