Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/24

 Academy in 1831 and 1837. Visited Holland and Normandy with Ritter and Jordan, whose style he followed. Lives in Breslau, whither he returned in 1844. Works: Smugglers about to Land (1830), National Gallery, Berlin; Fisher-Hut with Mother and Daughter (1831); Smugglers Surprised (1832); Smugglers in Tavern (1833); War Scene in small Town; Rescued Women among Fishermen (1841); Dutch Smugglers on Coast of Normandy (1842); Prussian Hussars quartered in France (1843); Life-Boat (1844); Pilot-Boat (1845); Storm on Inland Sea (1845); Mutiny on Brig (1848).—Andresen, iv. 217; Brockhaus, v. 709; Düsseldf. K., 230.

EBERT, KARL, born in Stuttgart, Oct. 13, 1821, died in Munich, March 1, 1885. Landscape painter, pupil of Stuttgart Art-School under Steinkopf. Settled at Munich in 1846. Member of Amsterdam Academy. Works: Starnberg Lake, Suabian Alp near the Hohenstaufen, Bathing Children in the Woods (1867), Stuttgart Gallery; Landscape near Rotterdam; Storm in the Woods; The Seasons; Beech Wood with Sheep (1871); Evening Landscape (1873); Wood of Tall Trees, Wood Interior (1874); Chestnut Wood in Tyrol; Forge in the Woods; Vranduk in Bosnia (1880); Storm (1882).—Brockhaus, v. 712; Illustr. Zeitg. (1881), ii. 441; (1883), i. 466; Kunst-Chronik, xx. 445.

ECCE ANCILLA DOMINI (Behold the Handmaid of the Lord), Dante Gabriel Rossetti, National Gallery, London; canvas, H. 2 ft. 4 in. × 1 ft. 5 in. The Annunciation. Head of Virgin painted from Christina Rossetti; W. M. Rossetti sat for the angel, but it was finished from another sitter. Royal Academy, 1850; sold in 1853 to Mr. MacCracken, Belfast, for £52 10s.; Graham sale (1886) bought for National Gallery (1886), £850.—Art Journal (1884), 150; Athen. (1883), i. 23.

ECCE HOMO (Behold the Man), the presentation of Christ to the people, after scourging, by Pilate (John xix. 5).

By Annibale Carracci, Dresden Gallery; canvas, H. 3 ft. × 3 ft. 6 in. Christ, half-length, crowned with thorns, with an angel on each side. From Modena Collection. Engraved by M. Keyl.—Gal. Roy. de Dresde, i. Pl. 18.

By Correggio, National Gallery, London; wood, H. 3 ft. 2 in. × 2 ft. 7-1/2 in. Christ, half-length, with hands bound and crowned with thorns; in front, the Virgin sinks fainting into arms of Mary Magdalen; behind, Pilate looking out of a window, and on other side the head of a soldier. Painted about 1519-21; bought of the Colonna family, Rome, by Sir Simon Clarke, who sold it to Murat, King of Naples; from his widow, the ex-Queen, it passed to the Marquis of Londonderry, who sold it in 1834, together with the Education of Cupid, to National Gallery for £11,500. Placed by Meyer among the doubtful works of Correggio. At the end of the 16th century there were two Ecce Homos claimed to be by Correggio: One belonging to Count Prati (engraved by Agostino Carracci, 1587), the other to Lorenzo Salviati, Florence. This latter, which passed to the Colonna family, is the National Gallery picture. The other has disappeared. Engraved by Bettelini; Doo; Asioli; Rosaspina.—Meyer, Correggio, 357, 487; do. Künst. Lex., i. 434; Waagen, Treasures, i. 326; Kugler (Eastlake), ii. 505; Richter, 62.

By Guido Reni, Dresden Gallery; wood, oval, H. 1 ft. 9 in. × 1 ft. 3 in. Head of Christ, crowned with thorns, with eyes turned upward. One of Guido's most celebrated pictures, known through many copies. Presented by Innocent XII. to Augustus II., King of Poland and Elector of Saxony. Restored by Palm. Engraved by Ant. Krüger.—Gal. Roy. de Dresde, iii. Pl. 26.

By Guido Reni, Dresden Gallery; copper, H. 2 ft. 8 in. × 2 ft. 1 in. Christ, crowned with thorns and holding a reed in his bound hand; around his shoulders a red mantle.