Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/237

 Chapel at Baden-Baden. In fresco: Charles XII. of Sweden, Elector Max Emanuel of Bavaria before Belgrade; Battle of Pultusk, National Museum, Munich.—Müller, 242.

HAUSHOFER, MAX, born at Nymphenburg, near Munich, Sept. 20, 1811, died at Starnberg, Aug. 24, 1866. Landscape painter, studied from nature; in 1835 lived for some time in Rome and Naples, and visited Sicily; in 1844 became professor at the Prague Academy. He was the first artist to introduce Bohemian forest-views, though he preferred to paint the Bavarian and Tyrolese Alps, and especially the Chiem Lake. Works: Lake of Agnano (1835), Cassel Gallery; The Königsee near Berchtesgaden, Provinzial Museum, Hanover; Sunday Morning on Chiem Lake (1839); Nun at the Lake, Sunday Stillness (1842); Blöckenstein Lake (1845); Outlook from the Arbor, View of Walhalla (1850); Eibsee (1855); Walchensee (1856), New Pinakothek, Munich; Klönthal Lake (1858); Lake Luzerne (1859), Vienna Museum.—Allgem. d. Biogr., xi. 92; Illustr. Zeitg., July 18, 1863; Kunst-Chronik, i. 125; Raczynski, ii. 336; Regnet, i. 174; Wurzbach, viii. 87.

HAUSMANN, FRIEDRICH KARL, born in Hanau in 1825, died at Hanau, March 10, 1886. Genre painter, pupil of Hanau Academy under Pelissier; studied in 1848-51 in Antwerp, and copied old masters there and in the museums of Holland; went in 1851 to Paris to study under Delaroche, and afterwards visited Rome. Since 1864 director of Hanau Academy. Works: Gypsy Girl Resting; Gypsy Boys; Priest absconding with Gretchen's Jewels (1849), Paris Gamins (1852), Galileo before the Inquisition (1861), Kunsthalle, Hamburg; Praying Canons; Pilgrimage in the Campagna; Cinderella's Sufferings.

HAUSSY, ARSÈNE DÉSIRÉ D', born in Paris, Oct. 17, 1830. Animal painter of remarkable merit, pupil of Lazerges. Works: Lost Sheep (1864); Black Cows (1866); Normandy Steer (1867); Dog Watching (1868); Pasture near Trouville, Bull-Terrier (1869); White-Frost in Valley of Tourcques, Breton Cows (1870).

HAVRANEK, FRIEDRICH, born in Prague, Jan. 4, 1821. Landscape painter, pupil of Prague Academy under Anton Manes, and Christian Ruben; travelled in Poland, Saxony, Tyrol, Styria, Bavaria, and France. His works, mostly on a small scale, are remarkable for elaborate detail, which has obtained for him the surname of the landscape Denner. Works: Peasant's Farm in Moravia; Forest Path; Forest Spring; Village Street in Bohemia.

HAY HARVEST (Les foins), Bastien-Lepage, Luxembourg Museum; canvas, H. 5 ft. 11 in. × 6 ft. 4 in. Illustration of a poem by André Theuriet. Mid-day in a hay-field; in foreground, a woman seated on the hay, her hands in her lap, looking with dreamy eyes into the future; behind her, a man lying full length on his back, with his hat over his eyes. Salon, 1878.—Gaz. des B. Arts (1878), xviii. 69.

HAYDON, BENJAMIN ROBERT, born at Plymouth, Jan. 26, 1786, died in London, June 22, 1846. History painter, pupil of Royal Academy in 1805; exhibited in 1809 his Dentatus murdered by his own Soldiers, but dissatisfied with the position assigned it refused to contribute any more. After painting portraits in Plymouth, he won a considerable reputation in 1814 by his Judgment of Solomon, which sold for 700 guineas. In 1820 he produced Christ's Entry into Jerusalem, the exhibition of which in London brought him 3,000 guineas; but it procured him no commissions, and was finally sold for £240 and sent to America. It is now in Philadelphia. Though in great pecuniary difficulties and several times the inmate of a debtor's prison, he still clung