Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/232



class, 1878; L. of Honour, 1875; Officer, 1883. Works: A Deep Road (1852); View of Capri (1855); The Hedge School, A Panic, Hunting Craw-Fish (1857); The Return, A Storm (1859); Edge of the Woods, Evening on the Loire, The Loire (1861); The Rooks (1863); The Promenade (1864); Rome from the Palatine Hill (1865); View at Sorrento (1865), Douai Museum; Vesuvius (1866); Evening on the Campagna (1866),	Luxembourg Museum; Solitude (1867);	Souvenir of the River Meurthe (1868),	Lille Museum; Rocky Road (1869); View of Montréal (1870); Valley of Egeria (1870), Opera House; Ruins of the Castle of Hérisson (1872); The Wolf's Jump (1873), Orléans Museum; do., Luxembourg; River Aumance, A Benevolent Public (1874); Oaks of Château-Rénard, Valley of Aumance (1875), Luxembourg; Meadow in Bourbonnais (1876); Village of Chasteloy (1877); Old Walnut Tree (1878); Pavilion of Flora from the Pont Neuf, Turkeys (1879); Return from Hunting in the Evening (1880); Victim of Winter, the Loing at St. Privé (1881); The Loing, The Loire (1882); Woods of Trémellerie, An Afternoon at St. Privé (1883); Loing at Tremellerie, Moon-*rise (1884); The Loire at Briare, Farm of Cour-Chaillot (1885).—L'Art (1879), xvi. 269, 281; Larousse; Meyer, Conv. Lex., xxi. 406.

HARRACH, FERDINAND VON, Count, born at Rosnochau, Silesia, in 1832. Landscape and historical genre painter, pupil of Weimar Art School under Kalckreuth, Ramberg, and Pauwels; took part in the campaigns of 1866 and 1870, and spent one year in Italy. Lives in Berlin; member of Berlin Academy since 1873. Works: Chamois Hunters; Henry the Fowler; Emperor Max on the Martin Wall; Scotch Fisherman's Family; Chamois Hunt; Seizure of Luther on his Return from Worms (1870), Breslau Museum; Arran Island; Spring's Beginning; Nocturnal Attack; Opened Garden Door; In the Vineyards of Wörth, Outpost on Mont Valérien, Napoleon's Letter to King William (1872); Skating in Thiergarten, Moltke before Paris (1876); Death of the Sea-King; Abraham's Sacrifice (1877); Annunciation to the Shepherds (1878); Peter's Denial, Breslau Museum; Alpine Landscape, Female Portraits (2, 1884).—Müller, 238; Rosenberg, Berl. Malersch., 231.

HARRER, HUGO, born at Hirschberg, Silesia, in 1836, died in Rome, Dec. 8, 1876. Genre and architecture painter, self-taught. Painted his first pictures in Nuremberg, then went to Munich, where he was much influenced by Piloty, and in 1862 to Rome, where he allied himself closely with Passini. Returned there after a two years' sojourn in Düsseldorf. In sunlight effects took Oswald Achenbach for his model; was strong in perspective. View in Olevano (1876), Berne Museum.—Allgem. d. Biogr., x. 640; Kunst-Chronik, xii. 287, 478.

HARRIET, FULGIRON JEAN, born in Paris(?), died in Rome in 1805. History painter, pupil of David; won the grand prix de Rome in 1793, and first prize in 1800 and 1802. In 1803 he went to Rome, and died there, leaving his Horatius Codes unfinished. Works: Battle of the Horatii and Curiatii (1800); Androclus and the Lion (1802); Brutus dying on the Battle-Field (1803); Horatius Cocles on the Sublician Bridge (1805).—Seubert, ii. 175.

HARRISON, LOWELL BIRGE, born in