Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/231

 HAREUX, ERNEST VICTOR, born in Paris, Feb. 18, 1847. Landscape painter, pupil of Charles Busson, Bin, Trottin, Pelouse, and Levasseur. Medals: 3d class, 1880; 2d class, 1885. Works: End of September Day (1868); Before the Rain (1870); Banks of the Seine (1875); Day after Fête (1878); Return from Market, Summer in Normandy (1879); Vegetable Garden, Trench of Digue-Blanche (1880); Moonrise after Rain (1881); Banks of the Creuze (1882); Storm, Moonrise in November (1883); Twilight in July, November Morning (1884); Banks of the Creuze, Autumn Night (1885).—Bellier, i. 742.

HARLAMOFF, ALEXIS, born at Saratoff, Russia, in 1849. Genre and portrait painter, pupil of St. Petersburg Academy under Markoff; won in 1870 first prix de Rome, continued his studies in Paris under Bonnat, and spent two years in Holland and Germany, and one year in Belgium. Member of St. Petersburg Academy. Medal, 2d class, Paris, 1878. Works: Music Lesson; Children and Flowers; Maiden of Mordva; Portraits of Turgeneff, M. and Madame Viardot, Emperor Alexander II., Prince Kotschubei, Madame Tretiakoff.

HARLOW, GEORGE HENRY, born in London, June 10, 1787, died there, Feb. 4, 1819. Portrait painter, pupil of De Cort, Drummond, and Sir Thomas Lawrence; first exhibited at Royal Academy in 1805. In 1818 he visited Rome; was introduced to the Pope by Canova, and through him made a member of the Academy of St. Luke. Best known work, Trial of Queen Catherine, with Kemble portraits.—Redgrave; F. de Conches, 411.

HARMS, JOHANN OSWALD, born in Hamburg in 1642, died at Brunswick in 1708. German school; landscape and architecture painter, pupil of Ellerbrock in Hamburg; studied in Rome under Salvator Rosa, whom he imitated successfully. After his return he lived long in Dresden, where he painted decorations for the theatre. Works: Winter Landscape (1675), Schwerin Gallery; others in Brunswick Museum. His son, August Friedrich (died at Cassel in 1745), also painted landscape and architecture, but with especial skill dead game, of which excellent specimens are in the galleries of Brunswick (2) and Copenhagen. In the cathedral at Brunswick is an Ascension by him, dated 1728. He also wrote on art.—Allgem. d. Biogr., x. 611.

HARNETT, WILLIAM M., born in Philadelphia, Pa., in 1851. Still-life painter, pupil of the National Academy, New York. Studied in Frankfort and Munich, 1880-84. Studio in Munich. Works: Social Club (1879); Still Life (1882), T. B. Clarke, New York; Fruit, Still Life (1883).

HARPER, ADOLF FRIEDRICH, born in Berlin, Oct. 17, 1725, died there, June 23, 1806. Landscape painter, son and pupil of Johann H. (born in Stockholm in 1688, died, court-painter in Berlin, in 1746), travelled then for eight years in France and Italy, and studied especially in Rome under Richard Wilson. In 1756 he entered the Duke of Würtemberg's service, became court-painter in 1759, professor at the newlyfounded Academy in 1761, and afterwards at the Karlschule. He was rector of the former in 1771-72, and of the latter in 1785-94, and from 1784 director of the galleries. Work: The Garden Theatre at the Villa Madama, Rome (1760); many others in the Castles of Würtemberg.—Allgem. d. Biogr., x. 617; Goethe, Schweizer Reise, i. J. 1797; Haakh, Beiträge, 4.

HARPIGNIES, HENRI, born at Valenciennes, July 28, 1819. Landscape painter, pupil of Achard. Both in oil and water-colour this artist stands in the first rank of living French painters. His water-colours have the strength and breadth of the English school. Has exhibited regularly since 1852. Medals: 1866, 1868, and 1869; 2d