Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/227

 (1868); Crucifixion (1871); Ecce Homo (1872); Resurrection (1872); do. (1873); Christ Crucified (1873); Disciples at Emmaus (1875); Christ and Peter on the Sea (1876). In fresco: St. Paul at Athens, Burning of Papal Bull at Wittenberg (1881-83), Gymnasium, Magdeburg; Cartoons for Stained Glass Windows in Prince Albert Mausoleum at Windsor Castle (1866).—Brockhaus, viii. 808; Müller, 235; Rosenberg, Berl. Malersh., 248.

HANNIBAL CROSSING THE ALPS, Joseph M. W. Turner, National Gallery, London; canvas, H. 4 ft. 9 in. × 7 ft. 9 in. A lurid sun seen through a storm of snow, which threatens to overwhelm the Carthaginians, toiling through the passes, who are also attacked by the savage mountaineers. Royal Academy, 1812. Engraved by J. Cousen in Turner Gallery.—Cat. Nat. Gal.

HANNEMAN, ADRIAEN, born at The Hague in 1601, died there in 1668 or 1669. Portrait painter, pupil of Ravesteyn; went to England early in Charles I.'s reign, painted for 16 years under Daniel Mytens, the elder, and adopted much of Van Dyck's manner. He returned afterwards to The Hague (probably before 1640), became master of the guild in 1640, court-painter to Princess Mary of Orange, and in 1656 was one of the founders of the new painters' guild, Pictura, and its first dean. His portraits are well drawn, full of expression, and of fine colouring. Works: Portrait of Constantyn Huygens and Children (1640) Hague Museum; Portrait of Jan de Wit (1652), Rotterdam Museum; Family Group engaged in Music, Female Portrait, do. (1661), Brunswick Museum; Portrait of Prince William Frederick of Orange (1661), Weimar Museum; do. of Great Elector (1659), Wörlitz Gallery; do. of Charles I., and of Van Dyck, Vienna Museum.—Allgem. d. Biogr., x. 522; Burger, Musées, ii. 227; Immerzeel, ii. 13; Kramm, ii. 637; Riegel, Beiträge, ii. 219.

HANNL, MAX, born in Prague in 1696, died in Vienna in 1758. German school; portrait painter, said to have been a pupil of Kupeczky. His portraits show broad treatment, powerful colouring, and fine impasto. Works in Vienna Museum.

HANOTEAU, HECTOR, born in Decize (Nièvre), May 25, 1823. Landscape painter, pupil of Gigoux. A painstaking and skilful realist. Medals: 1864, 1868, and 1869; L. of Honour, 1870. Works: Arab Encampment (1855); Meadows of Charency, Pond in Nivernais (1857); Morning on the Cauna (1859); Morning's Fishing (1860); Springs at Charency (1861); Horses at Liberty (1863); Paradise of Geese, Marseilles Museum; Abandoned Hut (1864); Corner of a Park (1865); Evening on the Farm, After Fishing (1866); Larder of the Fox-Cubs (1868); Reeds (1869); Passage of Great Game (1869); The Summons (1870); Village Pond (1870), Luxembourg Museum; Cottage (1872); Honeysuckle (1873); The Aumance, View on the Allier, Benevolent Public (1874); Frogs (1875), Luxembourg Museum; Laughing Water, Kids (1876); Mill, Chief Place by the Fire (1877); Miller's Excursion (1878); Victim of the Supper (1879); Sleeping Water (1880); Wooded Pond, My Garden (1881); Autumn, Hoeing (1882); The Middle Row (1883); September, April (1884); Peaks of the Grove, Useful Man (1885).—Gaz. des B. Arts, xvii. 16, 162, 368; Larousse.

HANS VAN KALKAR. See Kalkar.

HANSCH, ANTON, born in Vienna, March 24, 1813, died in Salzburg, Dec. 8, 1876. Landscape painter, pupil of Vienna Academy under Moessmer. Studied the old masters, and made frequent journeys to the Austrian Alps, to Switzerland, Upper Italy, and Belgium. Gold medal, 1839. Prizes, 1839, 1859, 1860. In 1848 he was made member, and in 1871 senator, of the Vienna Academy. Settled at Salzburg in 1873. He was one of the leading landscape