Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/218

 Westphalian Landscape; Approaching Storm; Guffern Alp; St. Gothard Road; Kanderthal in Switzerland; View at Scheveningen; Rhenish City in Evening Light (1879), Dresden Gallery; Storm Landscape, Breslau Museum.—Müller, 230.

HAGHE, LOUIS, born at Tournay, March 17, 1806, died at Stockwell, England, March 9, 1885. History and genre painter, pupil of Chevalier de la Barrière, a French emigrant, whom he afterwards assisted in the publication of views in Belgium; went to London in 1823, where he participated in the publication of several lithographic works, and afterwards took up painting in water-colours; in 1835 became member of the Institute of Painters in Water Colours, and afterwards its president. Member of Antwerp Academy; Order of Leopold; Medals: 1834, 1855. Painted with his left hand. Works: War Council at Courtray (1839), National Gallery, London; Scene at Convent Gate of S. Geronimo (1840); Oath of Vargas (1841); Cromwell with the Letter of Charles I., The Town Hall of Courtray (1843); Last Moments of Zurbaran (1844); Ferdinand with Rubens (1845); Rubens painting the Chapeau de Paille, Interior of Brewers' Corporation Room at Antwerp, Staircase in the House of that Corporation (1846); Meeting Room (1847); Capuchin Monks at Matins, Chaffoir in Town Hall of Mons, Michelangelo attending his Sick Servant Urbino (1848); Vespers in Church of St. Anne, Bruges (1849); Miseries of War, Guard-Room (1850); Interior of St. Gomer, Sierre (1851); Audience Chamber of Magistrates of Bruges—Visit of Marguerite of Parma (1852); Happy Trio, Salle d'Armes in Castle of Salzburg (1853); Corps de Garde (1854); Holy Water Vase in St. Peter's, Rome, Post-Office at Albano, Convivial Meeting of Brewers' Corporation at Antwerp, Fair Reckoner, Comfortable Quarters, The Report, Work first and Play afterwards (1855); Choir of Santa Maria Novella, Florence (1856, first picture in oil); Antechamber in Tribunal of Inquisition, Venice, View of Ducal Palace, ib., Town Hall of Oudenarde (1856); Sunny Hours (1857, in oil); Incident in Life of Cornelis Vroom, Public Letter-Writer in Rome, Remains of Portico of Octavia, Rome (1857); The Spy, Peter Boel arranging his Model, Drinking Song, Transept of St. Mark's, Venice (1858).—Art Journal (1854), 256; (1859), 13; Athen. (1885), i. 352; Kramm, ii. 630; Müller, 231.

HAGN, LUDWIG (KARL HEINRICH) VON, born in Munich, Nov. 23, 1820. Genre painter, pupil in Berlin of Krause, then of Munich and Antwerp Academies, at the latter under Wappers, and in 1847-50 at Brussels of Eugène de Block; lived then successively in Brussels, Berlin (1850-53), where by the pictures of Menzel and those in the palaces at Potsdam and Sans Souci he was led to the cultivation of rococo subjects, and Paris (1853-55), and settled in Munich, whence he visited Rome and Florence (1863-65). Member of Munich Academy since 1867. Works: Unwelcome Wooing (1851), Schwerin Gallery; The Sweet Tooth, Musical Entertainment (1861); Alchemist (1862); Promissory Note; Walk in Versailles; Conversation in the Park (1860), New Pinakothek, Munich; Italian Garden Scenes (2), Schack Gallery, ib.; Sunday Walk (1863); Fish Market in Rome (1865); Goldoni (1866); Bowling Alley (1867); Roman Library (1868); Munich Beer Cellar (1869); Duel in 17th Century; Hall in Versailles; Faring Minstrels; Garden Scene in 18th Century; Walk in the Woods; Contrasts; Audience with Pope Leo XIII.