Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/212

 Little Cat, Lover of Flowers, Lost Happiness, Peasant's Family (1876); Washing Statue of Venus; Welcome (1878); Still Life, Studio, Fruit-Seller, Portrait of Old Lady (1878); Two Old People (1880); Artilleryman's Story of the Battle, Ghent Museum.—Illustr. Zeitg. (1873), ii. 473; Müller, 227; Rosenberg, Berliner Malerschule, 308; Leixner, D. mod. K., i. 42; D. Rundschau, ix. 319; xiii. 328; Zeitschr., xv. 45; xvi. 145.

GÜTERBOCK, LEOPOLD, born in Berlin, died March 21, 1881. Genre painter, chiefly of historical and Oriental scenes, which he executed with humour and fine colouring. Works: Scene from Götz von Berlichingen; Severe Lecture; Drug-Store in 11th Century; Old Toper; Recruiting in Thirty Years' War; Columbus at La Rabida; At City Hall of a German Town at the End of Thirty Years' War; Forbidden Reading, Stettin Museum.—Müller, 227.

GUTHERS, KARL, born in Switzerland in 1844. Portrait and genre painter, went to America with his parents in 1851, and painted portraits at Memphis, Tenn.; went in 1868 to Paris, where he studied under Cabasson, Pils, and at the École des Beaux Arts; studied in Brussels and Antwerp in 1870, and in 1871 went to Rome; returned to Memphis in 1873, and moved to St. Louis in 1874. Works: Awakening of Spring (1871); Ecce Homo; Evening on the Nile; Sappho; American Women. Many excellent portraits.—Müller, 227.

GUY, SEYMOUR JOSEPH, born in Greenwich, England, Jan. 16, 1824. Genre painter, pupil of Buttersworth and of Ambrose Jerome, English painters. Settled in New York in 1854; elected an A.N.A. in 1861, and N.A. in 1865. Studio in New York. Works: The Spring (1865); Sorrows of Little Red Riding Hood; Orange Girl; Fair Venice; Supplication; Knot in the Skein; The Gamut; Children catching the Bird; Little Sweeper, C. P. Huntington, New York; Bedtime Story, T. B. Clarke, ib.; Cash in Hand, First Up, T. M. Scott, San Francisco; Making a Train, G. Whitney, Philadelphia; Spirit of '76 (1880); Waiting (1882); See-Saw Margery Daw (1884).—Sheldon, 65.

GYÁRFÁS, EUGEN, born in Hungary; contemporary. Genre painter. Works: The First Tooth; Judgment at the Bier (1883); Joys of Winter (1884).—La Illustracion (1884), i. 395; Kunst-Chronik, xix. 351; Zeitschr. f. b. K., xix. 230.

GYNECEUM (Le Gynécée), Gustave Boulanger, Paris. The female apartments in a Pompeiian house. In a Corinthian atrium the mistress of the house, seated under an awning, watches her children at play, while her husband comes in at the background and is greeted by the dog, which runs to meet him; around their mistress, maid-*servants drive away flies and water flowers. Salon, 1875.

GYSELS (Geysels, Gijzens, Gysen), PEETER, born in Antwerp, baptized Dec. 3, 1621, died there in 1690 or 1691. Flemish school; pupil of Jan Boots, perhaps also of Jan Brueghel the younger, but formed himself after Jan the elder; painted flowers, fruit, and still life, also small landscapes. Master of the guild at Antwerp in 1650. His works are distinguished for good composition and graceful treatment. Works: Dead and Living Animals, Mr. Hope, London; Dead Game, Marquis of Bute, ib.; do., Brussels Museum; Still Life (last work), Antwerp Museum; Game with Hunting Implements, Hague Museum; do., Darmstadt Museum; A Town, Amsterdam Museum; ten pictures (landscapes and still life), Dresden Gallery; Dutch Village, Landscape, Berlin Museum; Windmill in level Country, Old Pinakothek, Munich; do., Schleissheim Gallery; Breakfast Table, Schwerin Gallery; Fruit-piece, Hermitage, St. Petersburg.—Immerzeel, i. 300; Kramm, ii. 615; Michiels, v. 378; Rooses (Reber), 416; Van den Branden, 416.

GYSIS, NIKOLAUS, born in Isle of Tinos, Greek Archipelago, March 1, 1842. History and genre painter, pupil of Munich Acad