Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/209

 the Fathers, Youthful Virgin with Maidens, Hermitage, St. Petersburg.—Ch. Blanc, École bolonaise; Descamps, iv. 258; Kugler (Eastlake), ii. 579; Burckhardt, 764, 770, 773; Lanzi (Roscoe), iii. 93; Malvasia, ii. 5; Rosini, vi. 55.

GUIDO, portrait, by himself, Uffizi, Florence. Upper part of head broad and fine, chin wants character. Eyes lively and intelligent. Engraved by L. F. Mariage.—Wicar, ii. Part 22; Lavice, 46.

GUIDO DI PIETRO. See Angelico, Fra.

GUIDO RENI DI NAPOLI. See Stanzioni, Massimo.

GUIDO DA SIENA, Sienese school, latter half of 13th century. The Madonna in S. Domenico, Siena, falsely dated 1221, was painted probably in 1281; and Guido is probably identical with Guido Graziani, who appears in documents of 1278. The inscription has been often retouched, and the heads of the Virgin and Child have evidently been entirely repainted. This is important, as upon it rests the question whether Florence or Siena was the cradle of the revival of painting in the 13th century. By the rectification of the date, the priority of the Florentine Cimabue to the Sienese Guido is established, and the honour remains to Florence. The Madonna in the Academy at Siena, also ascribed to Guido, is much inferior to the one at S. Domenico. A Madonna with Saints, attributed to him, is in the Gallery of the Historical Society of New York.—C. & C., Italy, i. 180; Vasari, ed. Le Mon., i. 233 and N. 1; Milanesi, Della vera età di Guido Pittore Sienese (Florence, 1859).

GUIDOLINO DI PIETRO. See Angelico.

GUIGNARD, GASTON, born at Bordeaux; contemporary. Landscape painter, pupil of Ferry. Medal, 3d class, 1884. Works: Foraging, After the Storm (1874); Scouts in Flight (1875); Behind the Tavern (1876); Halt of Nomads (1877); Farm Yard (1878); Winter (1879); Marsh of Montferrand (1880); Morning Dawn in Autumn (1881); Requisitions in Beauce in 1870-71, Return to the Park (1882); Lagunes of Guyan-Mestras—Gironde, Convoy in Marshes of Quiberon (1883); In the Orchard (1884); Open Pasture (1885).

GUIGNET, ADRIEN, born at Annecy, Savoy, Jan. 21, 1816, died in Paris, May 19, 1854. History painter, brother and pupil of Jean Baptiste G., and pupil of Blondel; took Salvator Rosa and Decamps for his models. Medals: 3d class, 1844; 2d class, 1848. Works: Moses exposed on Nile, Lost Travellers attacked by Bear, Joseph relating his Dream, Hagar in the Desert (1840); Salvator Rosa among the Robbers (1844); Defeat of Attila by Ætius; Feast of Belshazzar; Gardens of Armida.—Nouvelle Biogr. générale.

GUILLAUMET, GUSTAVE, born in Paris, March 26, 1840. Genre and landscape painter, pupil of Picot, Barrias, and of the École des Beaux Arts. Won the 2d prix de Rome in 1863, and then made the first of many visits to Algeria. In 1865 he painted the portrait of the late Sultan Abdul Aziz. Medals: 1865 and 1867; 2d class, 1872; 3d class, 1878; L. of Honour, 1878. Works: Evening Prayer in the Sahara (1863), Luxembourg Museum; Arab Market in Plain of Tocria (1865), Lille Museum; Flute-Players at the Bivouac (1866); Aïn Kerma or Source of the Figuier, The Douar (1867); Douar Women at the River (1872), Dijon Museum; Algerian Interior (1874); Bivouac of Camel-Drivers (1875); Arab Market (1877); Peace in the Evening (1878); Laghouat or Souvenir of the Sahara (1879), Luxembourg